Zeb Wells and John Romita Jr. kicked off their Amazing Spider-Man #1 (Vol. 6) in April of 2022 with a six month time jump in the narrative. Mary Jane Watson and Peter Parker, reunited as a couple in Nick Spencer’s run on Amazing Spider-Man (starting in July 2018), had broken up. Peter was despondent and angry. Everyone was angry with Peter, too – Aunt May, Randy Robertson, even the Fantastic Four and Captain America. MJ wasn’t taking his calls. Creditors were hounding him. He was working for Norman Osborn! Most shocking of all, Mary Jane was living with her new partner, Paul…and their two kids. It was certainly a jaw-dropping reveal at the end of Wells and Romita’s first issue. Now, a year later, the gaps are being filled in with Amazing Spider-Man #21-25. Why did Peter and Mary Jane break-up? Who is Paul? Why is everyone angry with Peter? What happened in those six months? Will Mary Jane and Peter get back together?? For me, a bigger question has been on my mind since I first saw Stephanie and Owen run into her arms at the end of that issue: Should Mary Jane even be with Peter in the first place?
Note, this piece contains plot spoilers for Amazing Spider-Man #21-25.
Here we are folks, the sixteenth installment in this series using only Spider-Man comics to talk about the variety of romantic archetypes we find in literature (mirroring the variety of romantic experiences we have in life). Who would’ve thought I’d be able to milk sixteen different articles out of this?? The series is old enough to drive now! (I mean, if each individual piece represented a year (but I do more than one a year (but I did start this back in 2017 so it’s been going for over five years (which is still pretty impressive!))).) Here we’re going to examine the intersection of some SERIOUS forces in the world of comic books. Spider-Man – Marvel’s most iconic character! Chris Claremont – one of the most iconic comic writers of all time! Cissy Ironwood – a love interest Chris Claremont created specifically for Peter Parker when he was writing Marvel Team-Up in 1979 which…uh, went nowhere. And that’s why I love Cissy and Peter as a couple! In our romantic exploits we all have those relationships which seemed to have so much potential but just never went anywhere. They inexplicably disappear and become someone friends may ask about, years later, wondering, “Hey, whatever happened to…”
It’s Tuesday March 8th – International Women’s Day 2023! Once again I’ve teamed with other bloggers – Kalie of Just Dread-full, Nancy of Graphic Novelty2, and Jeff of The Imperial Talker – to celebrate some of our favorite female characters in all of fiction. In a wave of ‘90s nostalgia I decided to write about Xena this year. How has it taken me five years of doing this series to get to Xena?!!? Xena: Warrior Princess ran for 134 episodes over six seasons from 1995 through 2001. Starring Lucy Lawless as Xena and Renee O’Connor as her best friend Gabrielle, the show took hold of pop culture in a way few things have in my lifetime. It left a lasting impression, too. As I told everyone who I was writing about this year I kept getting the best responses. “Ahh! I loved that show!” “She was my hero!” “I loved Xena!” “I watched her show all the time!” With Xena: Warrior Princess premiering when I was in seventh grade, Xena wasn’t just an iconic character for me; she was also archetypal. In many ways, Xena formed my understanding of a “fearless female hero.” She was my first fully fleshed out example. She wasn’t part of an ensemble cast. She wasn’t guest starring in another male hero’s show. Xena rode alone (well, with Gabrielle of course!) and there was nothing she couldn’t do.
So I invite you, dear reader, to wander down this road of memories with me as I celebrate one of the most iconic and important heroes I’ve ever met. (And if you wanna let out your best rendition of Xena’s famous warrior yell as we go, feel free! I won’t tell anyone ;D. I’ve been doing it again for weeks now, too.)
It’s Christmastime again, so ‘tis the season for me to read and watch a buncha Christmas specials and use them to reflect on what Christmas means to me just like Stevie Wonder does in the very song which inspired this series. And, just like Stevie Wonder sings about, “All these things and more, darling (all these things and more) / That’s what Christmas means to me, my love,” Christmas means a lot of things to me, too. This time Harley Quinn, the Clown Princess of Coney Island, provides my avenue for reflection as I ponder what Christmas means to me (my love!) care of Harley Quinn Holiday Special #1! Written by Amanda Conner and Jimmy Palmiotti with art by Mauricet (“Bad Toy”), Brandt Peters (“Get Yer Cheer Outta My Ear”), and Darwyn Cook (“K!llin’ T!me”), Harley Quinn Holiday Special #1 was originally published on 10 December 2014. I love Harley Quinn! I love Christmas! And I’d say, “I love them together even more than I expected” but I absolutely expected to love Harley Quinn at Christmas a lot so I was very correct in my assumption!
Welcome to the fifteenth installment in my series using only Spider-Man comics to explore the variety of romantic archetypes we find in literature (illustrating the variety of romantic experiences we find in life)! This time we’re looking at one of the most prominent themes around romantic love – how love heals, how the right person’s love can save us. When I began this series I made myself a promise. No alternate reality Peter Parkers. No movies. No TV shows. No other comic universes. I’d explore Peter Parker’s romantic exploits in Marvel’s main 616 universe and when I had exhausted those relationships, the series would end. Anna Maria Marconi will date Peter Parker in the 616 universe…but she dates “Peter” when he’s dead and his archenemy Otto Octavius/Dr. Octopus is controlling his body. So she dated Doc Ock even though she thought she was dating Peter. I’m including their relationship as a) it’s a significant one in the 616, b) the reader alone knows it isn’t Peter, and c) most important of all, their relationship illustrates something about love Peter Parker himself isn’t yet mature enough to find on his own. It’s a trope that can’t be ignored when writing about love so here we are. Otto’s time as the Superior Spider-Man is one of comics’ greatest redemption stories. Reflecting on the role romantic love plays in his salvation helps us consider the role such love plays in our own healing and growth, too.
Harry’s been a friend. You know he’s been a good friend of mine. But lately something’s changed, it’ ain’t hard to define. Harry’s got himself a girl and I wanna make her mine. It’s time for the latest installment in my series using only Spider-Man comics to examine the variety of romantic archetypes we find in literature (illustrating the variety of romantic experiences we find in life)! Here we see Peter in a good place. His best friend Harry Osborn is alive! Harry’s returned from an extended stay in Europe where he got sober. He’s in a new relationship with Lily Hollister, a girl he really likes. He’s starting his own business out from under the cruel shadow of his infamous father. He and Lily are trying to fix Peter up with her best friend, Carlie. There’s so much to celebrate!!! Oh, and Peter also kinda has a thing for Lily. He thinks she’s cute. In fact, he thinks she’s a “knockout.” In fact, he kinda struggles with not thinking about her. But it happens, right? While the significant other of a best friend should set our Bad Idea Sense tingling, sometimes we can’t help but be drawn to them anyway. Oh Peter, tread carefully here…
I adore HBO Max’s Harley Quinn: The Animated Series. It fundamentally shifted my relationship with the character. Before I watched the show, I enjoyed Harley Quinn. After watching it, I began tracking down every Harley comic I could find! In the process, she became a very important character to me. Naturally, I was excited when I heard of Tee Franklin (writer) and Max Sarin (artist)’s Harley Quinn: The Animated Series: The Eat. BANG! Kill. Tour, billed as Season 2.5. The comic captures everything I love about the show and features serious character development for both Harley and Poison Ivy, something all too rare in stories set between films in a series or seasons of a TV show. This development, woven through a story with all the profanity, insanity, and hilarity you’d expect from Harley Quinn: The Animated Series, enriches the characters and serves as a beautiful model for readers. Any comic which can do all that while also including the line “Piss cakes of a dick” is a true gift :D.
The time has come for this series using only Spider-Man comics to explore the variety of romantic archetypes we find in literature (illustrating the variety of romantic experiences we find in life) to hit LUCKY NUMBER THIRTEEN!!! What lays ahead to consider in ol’ Peter Parker’s romantic misadventures? Only one of the most vexing (and potentially awkward) of all romantic quandaries – how do you know if you’re actually on a date with someone or not? Warning: Reading this piece may yield spontaneous full-body shame cringes which involuntarily rise when we remember awkward memories so proceed with caution. If there’s one thing looking at all Peter Parker’s romantic exploits teaches us, it’s we’re never alone when it comes to awkwardly pursuing love. When the web-head meets Danielle, the woman working at a jewelry store he returns stolen diamonds to in the all love stories-oriented Amazing Spider-Man #605, sparks fly. Emotions run high. She actually talks to him. It’s a tractor beam – vzzzzzzzt – and it sucks Peter right in. But, regardless of sparks and emotions we feel when we meet someone new, how do you know when your hanging out has become a real date?
In last year’s post, I teased the heroine I had in mind for this year’s post. Our friendship theme for this year fit perfectly for who I had in mind: Black Canary. This was a prime opportunity to kill two birds with one stone, if you’ll forgive the pun.
Every year a group of bloggers and I write about fearless fictional women to celebrate International Women’s Day. Each of these bloggers will be featured on my blog this year. The blog-a-thon started with Michael of My Comic Relief and, after my post, will go on to feature Nancy and Kathleen of Graphic Novelty2 and Jeff of The Imperial Talker. Here’s my contribution to the Blog-a-thon this year!
Edgar Wright’s Last Night in Soho opens in the warm home of a quaint British town, a home where main character Eloise basks in her vintage-inspired bedroom listening to music from the 60s. The opening scene is so reminiscent of life sixty years ago, in fact, that we may suspect that we are in 1961, not 2021, and because of Wright’s ability to establish a scene we may also feel like we’re temporarily inhabiting a much more idyllic time period than our own. Certainly, that is what Eloise/Ellie (Thomasin McKenzie) imagines, the main character who we meet in the film’s beginning. Ellie has just been accepted to fashion school, and we get the impression, based on her excitement, that a glittering life in Great Britain’s fashion hub looks just as perfect, just as idyllic, as the 1960s do in her eyes. But sometimes attractive surface appearances mask a more insidious lurking reality—a fact which may be true of Soho in general, and is definitely true of Soho in the 60s, a reality that Ellie will soon find out.