Jason Aaron’s time writing Thor – from Thor: God of Thunder to Thor to The Mighty Thor to Thor (again) to War of the Realms to King Thor – produced the defining version of the character. No one, at least in my humble opinion, has ever done more with Thor nor understood the character, their world, and its theological fertility more than Jason Aaron. Jane Foster lifting Mjölnir to become Thor herself was the heart of Aaron’s run. But for that to happen, Thor Odinson had to find himself unable to lift the hammer. This idea – the idea of Thor being unworthy – ties together much of what Aaron did. Its seeds were sown in his very first arc, as Thor faced the brutality of Gorr the God Butcher. Its actualization would lead to Jane lifting Mjölnir and becoming the mightiest Thor and the greatest of all the gods. Its effects would culminate in Thor Odinson’s climactic battle with Malekith the Accursed during the War of the Realms and it would shape the sort of king Thor would become.
I just finished the third episode of The Falcon and the Winter Soldier and I’ve had a question bouncing around in my head since the first episode. It never once occurred to me reading about these characters in comic books but it rises when you place them within the nature and structure of the Marvel Cinematic Universe. The piece will have light plot spoilers for the first three episodes of The Falcon and the Winter Solider so if you’ve not seen any of it and you don’t want anything spoiled, feel free to click away now. I enjoyed your visit! If you don’t mind light spoilers, then by all means read on. You do you :D. With that being said, this piece will consider the question of the emotional and moral weight of trying to carry Captain America’s shield once Steve Rogers himself is gone.
I never would’ve guessed when I started this series it would hit an eighth installment. What can I say? Peter Parker’s dated a lot of women. This series explores the variety of romantic archetypes we find in literature (illustrating the variety of romantic experiences we find in life) using only Spider-Man comics. Michele Gonzales is an interesting chapter in Peter’s romantic history, as his roommate-turned-drunken-hook-up. Yet the one night stand isn’t what’s most unique about Michele in regard to Peter. Of all the women in his life, Michele Gonzales absolutely refuses to ever take any of his shit. Granted, plenty of women have called Peter out, held him accountable, and challenged his negligence. But Michele does so from the beginning, never accepting a single one of Peter’s lame excuses. She knows what she’s worth. She knows what a healthy partner and/or good person should be. She has no time for bullshit or games. And I love her for it!! Peter’s baggage and bad habits kept them from becoming a couple yet, in that, Michele and Peter’s flirtationship reminds us of what we may be missing out on when we fail to own and address our own issues.
This is the third installment in my li’l series where I try to figure out where the Marvel Cinematic Universe should go after Thanos. As I know Kevin Feige and co. are regular readers of the blog, I like to help them out when I can. What can I say? I’m a giver. For ten years all the narratives across the MCU slowly converged, bringing all our heroes together to battle Thanos on his quest for the Infinity Stones. While Covid has delayed the beginning of the MCU’s Phase Four, we’ve still got a new overarching story about to unfold. So what has the gravitas to follow the MCU’s epic, medium-defining Infinity Saga? My first two ideas were character-centric, considering which villain could be intimidating and powerful enough to follow the Mad Titan. This time I’m focusing more on tonal issues. What type of story would be a worthy successor to the Infinity Saga? Turns out the best way to follow Thanos is with a Marvel Cinematic Universe rendition of the WAR OF THE REALMS. Huzzah!
Four years ago I wrote a piece titled, “Captain America and the Defense of the American Dream.” I posted it on Inauguration Day and it considered how we, as a nation, should respond to Trump’s election, using Captain America as the frame for analysis. It examined Captain America as a character, his history, and what lessons he could offer when the world we thought we knew was turned so completely upside down. Now, four years later, Joe Biden is about to be sworn in as the 46th President of the United States alongside Kamala Harris – the first woman, first Woman of Color, first Indian America, and the first Asian American to hold the office of Vice President. I find myself looking to Captain America once again, to the brilliant narrative Ta-Nehisi Coates’ has been telling in Captain America since July 2018, as I try to process the last four years and consider my roll in the future.
Amidst the sea of emotions pandemic teaching brings, I find myself often thinking of Tony Stark’s character arc through Avengers: Infinity War and Avengers: Endgame. So the other day, to explore these thoughts (and avoid thinking only of school once I was home), I decided to rewatch both films back to back. I realized two things. First, I was very critical of Avengers: Infinity War when it first came out and, while I stand by my critiques of the glaring plot holes throughout, I grant the film works much better when watched with Avengers: Endgame. On its own, it’s disappointing. But as the first half of a six hour movie, it’s far more enjoyable. Second, Tony Stark’s journey is a surprisingly solid metaphorical stand-in for what teaching feels like right now. Or, so as to not universalize my feelings for every teacher everywhere, Tony Stark’s journey serves as a surprisingly solid metaphorical stand-in for what teaching feels like right now for me. Would you like to know what pandemic teaching is like? Well, if you’ve seen Infinity War and Endgame it turns out you already kinda know. Continue reading
It’s time for the fifth installment in my li’l series using only Spider-Man comics and characters to examine the variety of romantic archetypes we find in literature (illustrating the variety of romantic experiences we find in life). Cindy Moon attended the same scientific demonstration Peter Parker did when he was bitten by the radioactive spider that gave him his powers. Before it died, the spider would bite Cindy, too. She gained the same basic powers as Peter – albeit with a more attuned spider-sense, faster speed, and the ability to spin organic webbing from her fingertips – and would eventually take on the name “Silk” and become a superhero in her own right. She and Peter also have an overwhelming physical/sexual attraction to each other. Their relationship, such as it was, represents those “purely physical” attractions we have in our lives. It’s fun and it’s so hot but it was never really going to last nor was there any way they could’ve ever been “the one” as it was only ever just a physical thing. Continue reading
The centerpiece of Jason Aaron’s epic seven year run writing Thor: God of Thunder/The Mighty Thor/Thor was Jane Foster lifting Mjölnir when the Odinson found himself unworthy to do so. She became Thor, the Goddess of Thunder, and the stories that followed were the best Thor comics I’ve ever read. It may be the best executed single story arc I’ve ever ready in any comic ever. When the Odinson eventually reclaimed his title as the God of Thunder, Jane returned her focus to her civilian life, medical career, and – most importantly – fighting the cancer raging inside her. However, her superhero career was far from over and the stories Jane Foster now finds herself in (written first by Jason Aaron and Al Ewing and now by Jason Aaron and Torunn Grønbekk) dance along the mysterious, wonderous, frightening, sacred threshold that is the dividing line between life and death. Continue reading
I feel I write about Spider-Man and his being a member of the Avengers tangentially in a lot of posts. It’s often an aside, here or there. Honestly, I’ve never been a fan of Spidey being an Avenger (or part of the Fantastic Four’s Future Foundation or anything). I’ve always seen Spider-Man as a solo act, Peter Parker’s character not readily lining up with the whole “super team” thing. Plus, is swinging around and sticking to things really the type of small-time power set you want when battling Thanos, Kang the Conqueror, Annihilus, or Ultron? Still, that’s my bias and it’s anchored in my preconceived notions. So I decided I wanted to sincerely look at the idea of “Spider-Man, Avenger” with an open mind. The time to make an informed decision had come! Continue reading
When he was fifteen-years-old, Peter Parker was bitten by a radioactive spider at a science demonstration, gaining the proportionate strength, speed, and agility of a spider. It also granted him a precognitive sense that warns him of danger – his spider-sense. The death of his uncle at the hands of a burglar he could’ve stopped taught Peter that with great power there must also come great responsibility. Every day since he’s tried to live up to that creed, as the amazing Spider-Man. BUT Peter wasn’t the only one bitten by the irradiated spider on that fateful day. Before it died, it also bit Cindy Moon. On a whim I decided to begin rereading her adventures as the superhero Silk last week.
Reading these comics just as, “New coronavirus cases and hospitalizations in record numbers swept through more U.S. states…as most push ahead with reopening,” cast these stories in an entirely new light. I marveled at Silk’s strength and realized she may well be the most important superhero we have in this pandemic age. Continue reading