My first Spider-Man comic was Web of Spider-Man #12. It came out in March of 1986 when I was just three-years-old. I got it from the spinny rack at the grocery store and I read it so many times the pages eventually ripped away from its tattered cover. Always one to encourage reading, Mom regularly let me get comic books when we were at the grocery store, drug store, or gas station. When I was seven-years-old, my parents got me a membership to our local comic shop (perks included a 20% discount off the cover price and a pull list). Weekly trips to Books Galore were a part of my life until I turned sixteen. All of a sudden things like gas money and the outings driving fostered began to make demands of my budget so, with conflicting emotions, I decided to stop collecting comics. My last was Peter Parker: Spider-Man #98. Released in November of 1998, it was the “end” of Peter and Mary Jane’s story (until the next month’s reboot) so it felt like a fitting end.
Which comics go in my file/pull list is a decision I ponder regularly. What must be read monthly in single issues? Which stories/characters/creators can’t wait? I ask myself this whenever I consider juggling the comics in my file because, well, money’s a thing and I only have so much for comics before they turn off my electricity and water and I use those all the time. Despite Spider-Man being the fictional character I’ve had the longest running relationship with, The Amazing Spider-Man is rarely on my pull list simply because I favor newer characters (or characters new to me). Miles Morales/Spider-Man or Cindy Moon/Silk or America Chavez or Jane Foster/Valkyrie don’t yet have as bedrock a status quo to reset to so their characters feel more dynamic and thus, with more potential for lasting change, there’s a greater sense of urgency to read those stories each month instead of waiting for them to pop up on Marvel Unlimited or be collected in a trade paperback. However, last night I learned Ben Reilly was donning the webs once more so today I went to my local comic shop to add The Amazing Spider-Man to my file for the first time in years!
Perhaps the most oft repeated observation about the Fantastic Four is they are a family first, superheroes second. This piece of their identity has been their cornerstone since Stan Lee ushered in the “Marvel Age of Comics” with their creation in 1961. With the FF poised to enter the Marvel Cinematic Universe, Dan Slott was given the reins of “The World’s Greatest Comic Magazine” in 2018. Understanding the nature of the FF – a family of explorers and travelers who save the day when needed – he uses it to examine a captivating concept which seems uniquely suited to the Fantastic Four. When their explorations take them to the planet Spyre, Reed Richards/Mr. Fantastic, Sue Storm/the Invisible Woman, Johnny Storm/the Human Torch, and Ben Grimm/the Thing meet the Overseer, the leader of the Spyricans, a people who have technology they claim will show you your Soul Mate with absolute certainty. Families are born in the bonds of love and there’s no love like a Soul Mate…should such a thing exist. What better place to drop explorers defined by their family than the questions raised at the intersection of loving communion and a technology that can predict the mystical movements of the heart?!!?
As readers we can’t help but take this journey with the Fantastic Four and wonder are Soul Mates real? And if they are, would we want to know?
Jessica Jones was one of the genre-redefining characters born during my hiatus from regular comic reading. Created by Brian Michael Bendis (writer) and Michael Gaydos (artist), she first appeared in Alias #1, released in November 2001. Coincidentally enough, I spent that fall falling for another Alias – J.J. Abrams’ cliffhanger and slow-mo running loving spy show starring Jennifer Garner. At the time, I had no idea another Alias existed. Once I saw (and enjoyed!) Jessica Jones on Netflix, I kept my eyes peeled for her comics. Alias isn’t on Marvel Unlimited and I’d never seen the collected trades below $25.99 apiece (which I’ll spend but it’s a risky move without reading a single issue). But then magic struck! I found Jessica Jones: Alias Vol. 1, 3, and 4 (of four!!!) as I strolled Ollie’s Bargain Outlet last week! I tracked down Vol. 2 as well, and then…well, you know how some books are overhyped? It turns out, even after the endless praise I’ve heard about Jessica Jones as a character and Alias as a comic, it ended up being better than I imagined.
Season One of Loki has come to a close and I have lots of feelings. My relationship with Loki has been complicated from “go.” The first episode left me with more concerns than intrigue, wondering about the direction they were taking the MCU’s overarching narrative. The second episode setup so much! It got me excited! Maybe I was wrong! Episode three was disconcerting as it was just filler. Then comes four-five-six and I’ve been all over the board with how this show has made me feel. Now, with the dust only beginning to settle, I wanted to explore my at-times-surprisingly visceral reaction to the end of Loki Season One. MASSIVE SPOILERS for the Loki finale will follow. A mass of FEELINGS will follow as well. So tread carefully, based your comfort level with exposure to SPOILERS and my raging feels ;D.
Welcome to the ninth installment in this li’l series using Spider-Man comics to explore the variety of romantic archetypes we find in literature (illustrating the variety of romantic experiences we find in life)! Bobbi Morse/Mockingbird is a scientific genius, Avenger, S.H.I.E.L.D. agent, and super spy whose relationship with Peter Parker would be a central part of Dan Slott’s final years writing The Amazing Spider-Man. In Bobbi Morse, Peter found a witty, compassionate partner who could kick his ass and/or inspire him when he needed it. Every bit as smart as Peter, she’d meet him in his brilliance and push him further. As Mockingbird, she stood beside Spider-Man to face everything from Skrull invasions to Norman Osborn’s Dark Reign to the Zodiac terrorist attacks to Hydra takeovers. Being a superhero herself, Bobbi could share Peter’s entire life. Oh, and they worked together. Which is good because, you know, nothing can ever go wrong when you date a coworker.
I DID IT. I DID IT. It took me three years but I read over 300 comics and have successfully walked through all fifty-seven years of Black Widow’s comic history! Natasha Romanoff has gone from a character I was familiar with from Avengers comics and team-up stories to one of the comic characters I know best of all. I AM SO HAPPY I DID THIS! Now, with a month left until Black Widow finally hits theatres, I’m examining the stories marking Natasha’s journeys from 2010-2020. As usual, kudos goes to Kiri (of Star Wars Anonymous) for casually asking if Black Widow was ever blonde in the comics (she was! see ’00-’10) waaay back when the Avengers: Infinity War trailer came out and kudos to my over-committing parts for deciding to read everything from Natasha’s first appearance in Tales of Suspense #52 (1964) up through Web of Black Widow (2019-20) instead of just googling it.
Jason Aaron’s time writing Thor – from Thor: God of Thunder to Thor to The Mighty Thor to Thor (again) to War of the Realms to King Thor – produced the defining version of the character. No one, at least in my humble opinion, has ever done more with Thor nor understood the character, their world, and its theological fertility more than Jason Aaron. Jane Foster lifting Mjölnir to become Thor herself was the heart of Aaron’s run. But for that to happen, Thor Odinson had to find himself unable to lift the hammer. This idea – the idea of Thor being unworthy – ties together much of what Aaron did. Its seeds were sown in his very first arc, as Thor faced the brutality of Gorr the God Butcher. Its actualization would lead to Jane lifting Mjölnir and becoming the mightiest Thor and the greatest of all the gods. Its effects would culminate in Thor Odinson’s climactic battle with Malekith the Accursed during the War of the Realms and it would shape the sort of king Thor would become.
I just finished the third episode of The Falcon and the Winter Soldier and I’ve had a question bouncing around in my head since the first episode. It never once occurred to me reading about these characters in comic books but it rises when you place them within the nature and structure of the Marvel Cinematic Universe. The piece will have light plot spoilers for the first three episodes of The Falcon and the Winter Solider so if you’ve not seen any of it and you don’t want anything spoiled, feel free to click away now. I enjoyed your visit! If you don’t mind light spoilers, then by all means read on. You do you :D. With that being said, this piece will consider the question of the emotional and moral weight of trying to carry Captain America’s shield once Steve Rogers himself is gone.
I never would’ve guessed when I started this series it would hit an eighth installment. What can I say? Peter Parker’s dated a lot of women. This series explores the variety of romantic archetypes we find in literature (illustrating the variety of romantic experiences we find in life) using only Spider-Man comics. Michele Gonzales is an interesting chapter in Peter’s romantic history, as his roommate-turned-drunken-hook-up. Yet the one night stand isn’t what’s most unique about Michele in regard to Peter. Of all the women in his life, Michele Gonzales absolutely refuses to ever take any of his shit. Granted, plenty of women have called Peter out, held him accountable, and challenged his negligence. But Michele does so from the beginning, never accepting a single one of Peter’s lame excuses. She knows what she’s worth. She knows what a healthy partner and/or good person should be. She has no time for bullshit or games. And I love her for it!! Peter’s baggage and bad habits kept them from becoming a couple yet, in that, Michele and Peter’s flirtationship reminds us of what we may be missing out on when we fail to own and address our own issues.