Welcome to the fifteenth installment in my series using only Spider-Man comics to explore the variety of romantic archetypes we find in literature (illustrating the variety of romantic experiences we find in life)! This time we’re looking at one of the most prominent themes around romantic love – how love heals, how the right person’s love can save us. When I began this series I made myself a promise. No alternate reality Peter Parkers. No movies. No TV shows. No other comic universes. I’d explore Peter Parker’s romantic exploits in Marvel’s main 616 universe and when I had exhausted those relationships, the series would end. Anna Maria Marconi will date Peter Parker in the 616 universe…but she dates “Peter” when he’s dead and his archenemy Otto Octavius/Dr. Octopus is controlling his body. So she dated Doc Ock even though she thought she was dating Peter. I’m including their relationship as a) it’s a significant one in the 616, b) the reader alone knows it isn’t Peter, and c) most important of all, their relationship illustrates something about love Peter Parker himself isn’t yet mature enough to find on his own. It’s a trope that can’t be ignored when writing about love so here we are. Otto’s time as the Superior Spider-Man is one of comics’ greatest redemption stories. Reflecting on the role romantic love plays in his salvation helps us consider the role such love plays in our own healing and growth, too.
Harley & Ivy’s Lessons in Life, Love, and Unburdening c/o the “Eat. BANG! Kill. Tour”
I adore HBO Max’s Harley Quinn: The Animated Series. It fundamentally shifted my relationship with the character. Before I watched the show, I enjoyed Harley Quinn. After watching it, I began tracking down every Harley comic I could find! In the process, she became a very important character to me. Naturally, I was excited when I heard of Tee Franklin (writer) and Max Sarin (artist)’s Harley Quinn: The Animated Series: The Eat. BANG! Kill. Tour, billed as Season 2.5. The comic captures everything I love about the show and features serious character development for both Harley and Poison Ivy, something all too rare in stories set between films in a series or seasons of a TV show. This development, woven through a story with all the profanity, insanity, and hilarity you’d expect from Harley Quinn: The Animated Series, enriches the characters and serves as a beautiful model for readers. Any comic which can do all that while also including the line “Piss cakes of a dick” is a true gift :D.
Harley Quinn & Poison Ivy – Fiction’s Fearless Females
It’s International Women’s Day and for the fourth year in a row I’ve teamed up with some fellow bloggers – Kalie of Just Dread-full, Jeff of The Imperial Talker, and Nancy and Kathleen of Graphic Novelty2 – to celebrate some of our favorite female characters in all of fiction. This year I was having trouble deciding on who to write about. I wanted to rewatch Harley Quinn on HBO Max and read Tee Franklin’s Harley Quinn the Animated Series: The Eat. BANG! Kill. Tour but should I write about Harley Quinn or Poison Ivy? Then it hit me! The entire show (and comic which serves as Season 2.5) is anchored in their relationship. I would be hard pressed to write about one without writing about the other. Plus, for a series celebrating “fearlessness,” it’s within their friendship where Harley and Ivy find and demonstrate the most incredible courage. Standing beside each other, they (ultimately) own and face their greatest fears. So I’m writing about Harley and Ivy and the type of friendship we should all be so lucky to have.
Given the focus of this piece it’ll have major spoilers for S1&2 of Harley Quinn as well as light spoilers for Tee Franklin’s (as brilliant as it is beautiful) Harley Quinn the Animated Series: The Eat. BANG! Kill. Tour.
Spider-Man and Debra Whitman: Substitute People and Surrogate Relationships
It’s time once more to talk about relationships and who doesn’t love that? Clearly I do as this is the twelfth installment in my series using only Spider-Man comics to explore the variety of romantic archetypes we find in literature, illustrating the variety of romantic experiences we have in life. While I knew nothing of Debra Whitman as a character before I began researching this piece, I found great affection for her by the end. In the relationship she shares with Peter Parker we find an openness and vulnerability which, if received and reciprocated, would prove a beautiful foundation for a relationship. Instead, Debra’s time with Peter becomes a cautionary tale about the importance of setting, articulating, and maintaining our boundaries and having our needs met within a relationship.