I try to guard myself against the “it’s newest so it’s the best EVER” reaction that often permeates fandoms. We can tend to live and breathe a movie or a show as soon as it premieres, reworking our rank lists to show how this is the best ever…until the next new movie or show in that universe comes out. I get the excitement. I often share it myself! But I’m always cautious about saying “best” when reflecting on a new movie or show. Yet it’s impossible to deny the sheer beauty and joy of Disney+’s Ms. Marvel show. Each episode fills my heart in a way nothing else in the Marvel Cinematic Universe has. As far as I’m concerned, it is easily the most joyful entry in the MCU. I think it’s far and away the most important show Disney+ has done so far, too. And it may well be the best. We’ll see ;D. So I want to explore these emotions through the lens of how Kamala’s powers changed for the Disney+ show…in a way that’s far closer to her comic roots than I first realized.
This fall, in a 90 minute special airing in October as part of the BBC’s Centenary Celebration, the Thirteenth Doctor will regenerate as the Fourteenth Doctor comes into being. After all the speculation as to who would follow Jodie Whittaker’s Thirteenth Doctor in the TARDIS, the BBC announced Sex Education’s Ncuti Gatwa was cast as the Doctor’s fourteenth regeneration (well, you know, fourteenth not counting the Fugitive Doctor, the War Doctor, the Morbius Doctors, and every incarnation of the Doctor we’ve met and/or seen alluded to with the Timeless Child). Naturally, there’ve been many pieces reporting the announcement and compiling quotes from Ncuti Gatwa, returning showrunner Russell T Davies, Jodie Whittaker, Chris Chibnall, and everyone else in the orbit of Doctor Who willing to comment on the news. This piece isn’t that. Others have written it (and have done a better job than I could (that’s not my strength as a writer)). Instead, I want to talk about feelings (much more my forte!) about this impending regeneration when our ever-changing Doctor will change once again.
One of my favorite marks of the Doctor’s character is the way they respond to meeting all manner of monsters. When I first began watching Doctor Who this was one of the earliest signs of how different a hero they were than I was used to. Time and again – no matter how scary or threatening or unapproachable whatever the Doctor finds in the universe may appear – their first reaction is never one of fear or judgment. They certainly never attack. Rather, they marvel at its beauty. They are overcome with joy and excitement at seeing something they’ve never seen before. And, if what they encounter appears frightened or injured, they are moved by compassion and offer help. In all this they are a beautifully important model for us, too. As Steven Moffatt, the Doctor Who showrunner for Series 5-10, rightly observed, “There will never come a time when we don’t need a hero like the Doctor.”
As soon as I saw Black Widow last summer I felt this thought wiggling around in my brain. Is it…? Could it be…? Is…is Black Widow now my favorite Marvel movie?! Because I’m me, I certainly couldn’t say definitively. First, I’m not the type of person who can throw a term like “favorite” around lightly. To say I like or love something is one thing. But to say it’s “my favorite” or “the best” or “the greatest” of all-time? That requires a lot of thoughtful discernment for me. Second, there’s this odd reaction/habit within our culture, especially within our fandom cultures, where whatever is newest is automatically the best. It’s new! It’s shiny! It’s the best ever!!! So, while that’s never been me, I wanted to be sure I wasn’t having that sort of reaction when I first saw Black Widow on July 8th. I said I loved it. I said it was easily one of the best films the MCU has to offer. And I said it may be my all-time favorite movie within the Marvel Cinematic Universe. Still, I needed time before I could say that with any certainty. Now I know. Black Widow is the best Marvel movie of all-time! And here’s why…
Once upon a time, I didn’t watch Doctor Who. I didn’t know why the blue phonebooth was important and I didn’t know if that garbage can thing with the whisk and plunger was a good guy or a bad guy. Once upon a time, I was too intimidated to even think about watching Doctor Who. Then I started a new job and met Theresa! We became fast friends and the only way I survived my first year teaching was because of her friendship and guidance. Theresa’s the best. One of the many things we bonded over was our shared love of Marvel, Star Wars, and all those nerdy corners of pop culture fun. But I couldn’t discuss one of Theresa’s favorite shows/characters/universes with her – Doctor Who. Eventually, trusting Theresa and her taste, I jumped into the world of Doctor Who and my life has become better in every way for it! But you may not know Theresa. Maybe that’s why you’re here. Maybe you’re curious if you should watch Doctor Who and/or how you even begin watching Doctor Who but you don’t have Theresa there to help you. Well, that’s why I’m here. I hope this short piece helps answer your questions, calm your concerns, and ignites your excitement for Doctor Who in the way being friends with Theresa did for me :D.
The world of Doctor Who has some big news! Russell T Davies, who brought Doctor Who back to television in 2005 and served as showrunner during Christopher Eccleston’s time as the Ninth Doctor as well as David Tennant’s tenure as the Tenth Doctor, will be returning to helm the show once more. On July 29th it was announced Jodie Whittaker and Chris Chibnall – having completed their “‘three series and out’ pact” – would be “handing back the TARDIS keys” after Series Thirteen (a six-part event serial) this fall and a trio of event specials through 2022, ending with a feature length special as part of the BBC’s Centenary Celebrations. Often, a hallowed air surrounds discussions of Russell T Davies time as Doctor Who showrunner amongst fans (with David Tennant’s Tenth Doctor being the most widely favored of the modern Doctors) so people have understandably been freaking out all day. Well I’ve got thoughts and feelings, too! So let’s chat about the potential future of Doctor Who shall we?
To help celebrate International Women’s Day (March 8) and Women’s History Month (March), I along with some of WordPress’s best bloggers are teaming up to shine a spotlight on some of our favorite fearless females from movies, comics, television, and beyond.
For my contribution to this celebration I chose the subject of 80s cartoons (Shocker!!). Before I begin let me say that there are dozens of fearless, headstrong, and strong female characters in the world of 80s cartoons. Last year for Fiction’s Fearless Females celebration I did a video for Scarlett, G.I. Joe’s counter intelligence operative and first female character. Scarlett is a very popular character in the world of 80s cartoons, so this time i wanted to talk about some great characters that are lost to time (kinda). Continue reading
Standing behind the doors leading into the royal hanger, the Queen of Naboo, surrounded by her loyal handmaidens and advisers, must make a choice. One path will keep the teenage monarch on Naboo, with her people, risking capture and death at the hands of the invading Trade Federation. The alternative path will take her off-world, traveling with the two Jedi escorting her, running the Trade Federation blockade above her world in the hopes of reaching Coruscant, the capital of the Republic, to plead for help directly to the Senate. Continue reading
One of my favorite scenes in Stanley Kubrick’s The Shining is a two or three second shock during which a series of terrifying events happen. At this point in the film, Danny has been replaced by Tony, who’s saying “Redrum” in a voice that’s robotic at first and amplifies in intensity and urgency as Jack’s presence gets closer. As Danny—or “Tony,” his psychic alter-ego—screams “Redrum,” Wendy reads the words backward in the mirror. The camera pans in on the word “murder” written in childish handwriting with blood-red lipstick. Almost as soon as we, the viewers, read “murder” in the mirror, we hear the unnerving sound of an ax chopping through wood and the camera moves to Jack, who wields the huge, sharp, silver device and uses it to slice through the wooden door of the caretaker’s quarters, where Danny and Wendy reside. As if this nexus of sensation weren’t enough to alarm us, the viewers, and pull as even a little more deeply into The Shining’s sinister, unpredictable world, Wendy’s voice intercepts this moment with a simultaneously frenetic and bone-chilling scream—a scream that we’ll hear different variations of for the rest of the movie. In turn, we, as the viewers—at least a little bit—start feeling Wendy’s maddening fear, and our cognition is ultimately forced to accept a mis-en-scene and narrative moment that’s eliminated anything reassuring or comforting for us to latch onto. We are, in a sense, in the void, and we are there with Wendy. Continue reading
I have heard that the opposite of love is fear, not hate, which may be first emotion that comes to mind due to the love/hate analogies we often make. If we go by that assumption, then someone who is fearless, or without fear, is someone who loves immensely. Continue reading