She-Hulk: Attorney at Law is, in my humble opinion, the most important show (it’s finale in particular) to the future of the Marvel Cinematic Universe. It cuts loose the albatross which has hung around the neck of the MCU since Avengers: Infinity War and Avengers: Endgame were released. If the MCU is to continue for another ten years, if it’s to stay relevant and interesting, She-Hulk: Attorney at Law must become the Bible for Marvel’s cinematic storytellers. And ok, I see how my title and these opening sentences may seem a bit clickbait-y. It may seem like a “hot take,” purposefully framed to invite shocked, curious, or even hate reads. But here’s the thing; I honestly, completely, wholeheartedly believe this. For all their EPICNESS, Avengers: Infinity War and Avengers: Endgame inadvertently set off a problematic chain reaction within the MCU’s fandom which will plague the MCU until it’s set right. How do you stop this reaction? She-Hulk SMASH. Salvation, it turns out, comes in a sensational She-Hulk-sized package.
Note, this piece contains SPOILERS for the She-Hulk: Attorney at Law finale.
Yes, this title is clickbait. It’s probably the most clickbait-y thing I’ve ever written. Given the MCU has earned a not insignificant $15,558,746,560 at the global box office to date (which doesn’t include all the profit it’s generated in merchandise sales and Disney+ subscribers) it’s not like the Marvel Cinematic Universe is in trouble. It is a cultural juggernaut and like…well, like the Juggernaut, nothing seems to stop it. It’s not in need of saving per se so it’s not like She-Hulk: Attorney at Law is salvifically sweeping in to salvage a once thriving interconnected cinematic universe flailing on the brink of cultural irrelevance. But I chose the title to be an eye-catching invitation for readers (those intrigued, those enraged, and those in agreement) to dialogue with what this piece has to say. Showrunner Jessica Gao’s She-Hulk: Attorney at Law is intelligent, goofy, sassy, funny, and self-aware; it’s everything that made me love She-Hulk more than the Hulk when I was a kid. It’s also important to the future of the MCU in several key ways and we should talk about it. So yeah, I said She-Hulk: Attorney at Law is saving the MCU. Here’s why.
Be aware this piece contains some spoilers for the first two episodes of She-Hulk: Attorney at Law.
Almost as long as Star Wars has existed, there have been spin-off stories to “fill the gaps” and expand the universe. Star Wars Episode IV: A New Hope (or, as it was known then, Star Wars!) was released on May 25th 1977. Marvel’s Star Wars comic began on April 12th 1977, the first six issues adapting the film followed by original stories. The first Star Wars novel, Alan Dean Foster’s Splinter of the Mind’s Eye, was released in March 1978. Both continued the story George Lucas began and served to sate people’s desire for new Star Wars stories until the eventual sequel arrived. Almost as long as Star Wars has existed then, fans have navigated their relationships with such stories. Which, if any, do you read/watch? Which, if any, become a part of your experience of Star Wars? Disney+’s Obi-Wan Kenobi is one of the most ambitious of such spin-offs, with Ewan McGregor (Obi-Wan), Hayden Christensen (Anakin Skywalker/Darth Vader), Jimmy Smits (Bail Organa), Bonnie Piesse (Beru Lars), and Joel Edgerton (Owen Lars) reprising their roles from the Prequel Trilogy. As with all Star Wars stories outside Lucas’ six films, Obi-Wan Kenobi forces (ha! no pun intended) fans to consider how, if at all, it fits in their experience of Star Wars. For me, the show brought many welcome, if at times conflicting, emotions.
THIS PIECE WILL HAVE SPOILERS FOR OBI-WAN KENOBI (E1-6).
I just watched the first episode of Loki and decided to sit down and write about it. This NEVER happens for me! Normally I’ve too many thoughts to order as I write or life is too busy to go from reading/viewing to writing to posting or both. Either way, here we are :). I didn’t go into Loki planning to write about it. But as I watched several serious questions began swirling around in my head. And I figured, “What the Hel? Just write.” So here we are. If you’ve not seen it, I won’t discuss any major surprises but I’ll be exploring the basic plot setup and the questions it’s presentation of the multiverse gives us. Coolio? Coolio. Let’s jump into all the first episode of Loki gives us to consider about the Marvel Cinematic Universe’s concept of the multiverse, shall we?
I just finished the third episode of The Falcon and the Winter Soldier and I’ve had a question bouncing around in my head since the first episode. It never once occurred to me reading about these characters in comic books but it rises when you place them within the nature and structure of the Marvel Cinematic Universe. The piece will have light plot spoilers for the first three episodes of The Falcon and the Winter Solider so if you’ve not seen any of it and you don’t want anything spoiled, feel free to click away now. I enjoyed your visit! If you don’t mind light spoilers, then by all means read on. You do you :D. With that being said, this piece will consider the question of the emotional and moral weight of trying to carry Captain America’s shield once Steve Rogers himself is gone.