With Fall 2022 having officially arrived just days ago, I find myself a little over a month into the new school year, my twelfth year teaching. Over the last decade I’ve gathered a few traditions to accompany the start of each new year. One of my favorites (and most helpful!) is a Spider-Man binge-reading session. Each year I pick a particular author and era (or two (or three or four)) and dive into the world of The Amazing Spider-Man. Teaching can be stressful and exhausting so, as summer falls away and work resumes, I find comfort in the familiar. I’ve had a longer relationship with Spider-Man than any other fictional character, getting my first Spidey comic when I was three-years-old and still loving him now. Plus, it’s nice to spend my night laughing when my days get harder and few characters have a better q.p.a average (quips-per-adventure, obvs.) than Peter Parker/Spider-Man. But I’ve realized there’s more to it than that. One of the most important reasons I turn to Spidey when school resumes is because of the ol’ Parker Luck.
Sometimes I’m surprised I’ve not written of Daredevil before. I spend a lot of time thinking, talking, and writing about the intersection of comic books and theology and teach theology at a Catholic Mercy school and am a lifelong Catholic. So Matt Murdock/Daredevil feels like a character made for me. A lawyer by day who lost his sight as a child, Matt uses the radar sense he gained, along with his extensive martial arts training, to protect the people of Hell’s Kitchen as Daredevil. As Marvel’s most prominent Catholic character, his faith and his relationship with God influence all areas of his life, superheroing included. He attends Mass. He goes to confession. His parish priest and nuns are trusted natural supports. But I never “got” Daredevil. My brother David loved him but I wasn’t interested. He felt like a bargain basement Spider-Man (when quippy) or bargain basement Batman (when dour). Then I began reading Chip Zdarsky (writer) and Marco Checchetto (main artist on the run)’s Daredevil and OH. MY. GOSH. I get it now! Twenty-seven issues in and I love it! A major story beat is Matt discerning God’s will in his life and, naturally, I was excited to explore this myself. Is Daredevil’s vocation divinely ordained or an example of someone trying to sanctify their all-too-human violence in God’s name?
I adore HBO Max’s Harley Quinn: The Animated Series. It fundamentally shifted my relationship with the character. Before I watched the show, I enjoyed Harley Quinn. After watching it, I began tracking down every Harley comic I could find! In the process, she became a very important character to me. Naturally, I was excited when I heard of Tee Franklin (writer) and Max Sarin (artist)’s Harley Quinn: The Animated Series: The Eat. BANG! Kill. Tour, billed as Season 2.5. The comic captures everything I love about the show and features serious character development for both Harley and Poison Ivy, something all too rare in stories set between films in a series or seasons of a TV show. This development, woven through a story with all the profanity, insanity, and hilarity you’d expect from Harley Quinn: The Animated Series, enriches the characters and serves as a beautiful model for readers. Any comic which can do all that while also including the line “Piss cakes of a dick” is a true gift :D.
This month marks the 80th Anniversary of Wonder Woman!!! I didn’t read her comics as a kid but Diana of Themyscria is a character who’s come to mean very much to me. As Patty Jenkins’ Wonder Woman (2017) was my gateway to Diana and her world, it felt apropos to mark this occasion by (finally) posting the piece I wrote after seeing Wonder Woman 1984. I LOVE the movies. Since I got my driver’s license, rarely more than a week went by in between trips to the theatre. However, after a 10:05 pm showing of Brahms: The Boy 2 on 7 March 2020, lockdown hit. So when I saw Wonder Woman 1984, it’d been over TEN MONTHS since I’d went to the movies. I wanted my return to be special and WW84 was the logical choice. I wasn’t disappointed! Wonder Woman 1984 was a worthy successor to the masterpiece that was Wonder Woman. Patty Jenkins and Gal Gadot did it again! They captured lightning in a bottle twice…at least as far as I was concerned. I was stunned when I began talking to friends – close friends who often share my opinion of films – and learned not everyone felt the same. Some did, but some didn’t. Granting all art is subjective, I still became curious, wondering what they saw in this film. Many conversations followed and this piece was born of my side of those conversations. This is an exploration of all I see in WW84.
Which comics go in my file/pull list is a decision I ponder regularly. What must be read monthly in single issues? Which stories/characters/creators can’t wait? I ask myself this whenever I consider juggling the comics in my file because, well, money’s a thing and I only have so much for comics before they turn off my electricity and water and I use those all the time. Despite Spider-Man being the fictional character I’ve had the longest running relationship with, The Amazing Spider-Man is rarely on my pull list simply because I favor newer characters (or characters new to me). Miles Morales/Spider-Man or Cindy Moon/Silk or America Chavez or Jane Foster/Valkyrie don’t yet have as bedrock a status quo to reset to so their characters feel more dynamic and thus, with more potential for lasting change, there’s a greater sense of urgency to read those stories each month instead of waiting for them to pop up on Marvel Unlimited or be collected in a trade paperback. However, last night I learned Ben Reilly was donning the webs once more so today I went to my local comic shop to add The Amazing Spider-Man to my file for the first time in years!
Perhaps the most oft repeated observation about the Fantastic Four is they are a family first, superheroes second. This piece of their identity has been their cornerstone since Stan Lee ushered in the “Marvel Age of Comics” with their creation in 1961. With the FF poised to enter the Marvel Cinematic Universe, Dan Slott was given the reins of “The World’s Greatest Comic Magazine” in 2018. Understanding the nature of the FF – a family of explorers and travelers who save the day when needed – he uses it to examine a captivating concept which seems uniquely suited to the Fantastic Four. When their explorations take them to the planet Spyre, Reed Richards/Mr. Fantastic, Sue Storm/the Invisible Woman, Johnny Storm/the Human Torch, and Ben Grimm/the Thing meet the Overseer, the leader of the Spyricans, a people who have technology they claim will show you your Soul Mate with absolute certainty. Families are born in the bonds of love and there’s no love like a Soul Mate…should such a thing exist. What better place to drop explorers defined by their family than the questions raised at the intersection of loving communion and a technology that can predict the mystical movements of the heart?!!?
As readers we can’t help but take this journey with the Fantastic Four and wonder are Soul Mates real? And if they are, would we want to know?
I DID IT. I DID IT. It took me three years but I read over 300 comics and have successfully walked through all fifty-seven years of Black Widow’s comic history! Natasha Romanoff has gone from a character I was familiar with from Avengers comics and team-up stories to one of the comic characters I know best of all. I AM SO HAPPY I DID THIS! Now, with a month left until Black Widow finally hits theatres, I’m examining the stories marking Natasha’s journeys from 2010-2020. As usual, kudos goes to Kiri (of Star Wars Anonymous) for casually asking if Black Widow was ever blonde in the comics (she was! see ’00-’10) waaay back when the Avengers: Infinity War trailer came out and kudos to my over-committing parts for deciding to read everything from Natasha’s first appearance in Tales of Suspense #52 (1964) up through Web of Black Widow (2019-20) instead of just googling it.
In the seventh installment of my li’l series exploring the variety of romantic archetypes found in literature (illustrating the variety of romantic experiences we find in life) using only Spider-Man comics, I’m examining Peter Parker’s relationship with Betty Brant. This relationship represents a lot for Peter. She was his first date. She was his first girlfriend. She was his first crush-he-saw-as-love. But as they grew up their relationship became complicated. We love to invoke that relationship descriptor – It’s complicated – and Peter and Betty perfectly embody it. We’ve all been there ourselves though, in one way or another, so in their relationship we find something that resonates and – maybe! – something that makes us feel a little bit better about our own complicated loves, too.
It’s time for the fifth installment in my li’l series using only Spider-Man comics and characters to examine the variety of romantic archetypes we find in literature (illustrating the variety of romantic experiences we find in life). Cindy Moon attended the same scientific demonstration Peter Parker did when he was bitten by the radioactive spider that gave him his powers. Before it died, the spider would bite Cindy, too. She gained the same basic powers as Peter – albeit with a more attuned spider-sense, faster speed, and the ability to spin organic webbing from her fingertips – and would eventually take on the name “Silk” and become a superhero in her own right. She and Peter also have an overwhelming physical/sexual attraction to each other. Their relationship, such as it was, represents those “purely physical” attractions we have in our lives. It’s fun and it’s so hot but it was never really going to last nor was there any way they could’ve ever been “the one” as it was only ever just a physical thing. Continue reading
The centerpiece of Jason Aaron’s epic seven year run writing Thor: God of Thunder/The Mighty Thor/Thor was Jane Foster lifting Mjölnir when the Odinson found himself unworthy to do so. She became Thor, the Goddess of Thunder, and the stories that followed were the best Thor comics I’ve ever read. It may be the best executed single story arc I’ve ever ready in any comic ever. When the Odinson eventually reclaimed his title as the God of Thunder, Jane returned her focus to her civilian life, medical career, and – most importantly – fighting the cancer raging inside her. However, her superhero career was far from over and the stories Jane Foster now finds herself in (written first by Jason Aaron and Al Ewing and now by Jason Aaron and Torunn Grønbekk) dance along the mysterious, wonderous, frightening, sacred threshold that is the dividing line between life and death. Continue reading