In the seventh installment of my li’l series exploring the variety of romantic archetypes found in literature (illustrating the variety of romantic experiences we find in life) using only Spider-Man comics, I’m examining Peter Parker’s relationship with Betty Brant. This relationship represents a lot for Peter. She was his first date. She was his first girlfriend. She was his first crush-he-saw-as-love. But as they grew up their relationship became complicated. We love to invoke that relationship descriptor – It’s complicated – and Peter and Betty perfectly embody it. We’ve all been there ourselves though, in one way or another, so in their relationship we find something that resonates and – maybe! – something that makes us feel a little bit better about our own complicated loves, too.
It’s time for the fifth installment in my li’l series using only Spider-Man comics and characters to examine the variety of romantic archetypes we find in literature (illustrating the variety of romantic experiences we find in life). Cindy Moon attended the same scientific demonstration Peter Parker did when he was bitten by the radioactive spider that gave him his powers. Before it died, the spider would bite Cindy, too. She gained the same basic powers as Peter – albeit with a more attuned spider-sense, faster speed, and the ability to spin organic webbing from her fingertips – and would eventually take on the name “Silk” and become a superhero in her own right. She and Peter also have an overwhelming physical/sexual attraction to each other. Their relationship, such as it was, represents those “purely physical” attractions we have in our lives. It’s fun and it’s so hot but it was never really going to last nor was there any way they could’ve ever been “the one” as it was only ever just a physical thing. Continue reading
The centerpiece of Jason Aaron’s epic seven year run writing Thor: God of Thunder/The Mighty Thor/Thor was Jane Foster lifting Mjölnir when the Odinson found himself unworthy to do so. She became Thor, the Goddess of Thunder, and the stories that followed were the best Thor comics I’ve ever read. It may be the best executed single story arc I’ve ever ready in any comic ever. When the Odinson eventually reclaimed his title as the God of Thunder, Jane returned her focus to her civilian life, medical career, and – most importantly – fighting the cancer raging inside her. However, her superhero career was far from over and the stories Jane Foster now finds herself in (written first by Jason Aaron and Al Ewing and now by Jason Aaron and Torunn Grønbekk) dance along the mysterious, wonderous, frightening, sacred threshold that is the dividing line between life and death. Continue reading
When he was fifteen-years-old, Peter Parker was bitten by a radioactive spider at a science demonstration, gaining the proportionate strength, speed, and agility of a spider. It also granted him a precognitive sense that warns him of danger – his spider-sense. The death of his uncle at the hands of a burglar he could’ve stopped taught Peter that with great power there must also come great responsibility. Every day since he’s tried to live up to that creed, as the amazing Spider-Man. BUT Peter wasn’t the only one bitten by the irradiated spider on that fateful day. Before it died, it also bit Cindy Moon. On a whim I decided to begin rereading her adventures as the superhero Silk last week.
Reading these comics just as, “New coronavirus cases and hospitalizations in record numbers swept through more U.S. states…as most push ahead with reopening,” cast these stories in an entirely new light. I marveled at Silk’s strength and realized she may well be the most important superhero we have in this pandemic age. Continue reading
For the fourth installment of my series exploring the variety of romantic archetypes we find in literature (illustrating the variety of romantic experiences we find in life) using only Spider-Man comics, I’m considering the first great love of Peter Parker’s life – Gwen Stacy. To write this, I went back and read the entirety of Gwen’s time with Peter, beginning with her first appearance in The Amazing Spider-Man #31 (from December 1965) through issue #120 (from May 1973). Over the years, Gwen has taken on a hallowed significance in Peter’s life as his great, irreplaceable lost love. But in reading these comics I realized she – and her relationship with Peter – illustrated something far more universal and far more interesting. Gwen and Peter perfectly present our first love with all the awkward, emotional, angsty, and idealized moments that come with it. Continue reading
On the heels of the first trailer for Avengers: Infinity War, a conversation with Kiri (of Star Wars Anonymous) about whether or not Black Widow had ever been blonde in the comics showed me how shamefully few of her comics I’d read. Naturally, I took the next logical step – I waaaay overcommitted and have spent over two years now figuring out a reading list, finding the titles, and then reading my way through decades of Black Widow stories. Three months back, I wrote a piece looking at Natasha’s most important appearances in the ‘60s and ‘70s. Now it’s time to dive into the ‘80s and ‘90s as I continue my little journey through her comic book history, from Natasha’s first appearance in Tales of Suspense #52 (1964) to her most recent miniseries, The Web of Black Widow (2019-20). Continue reading
Before Avengers: Infinity War came out I was having a conversation with Kiri (of Star Wars Anonymous). We were discussing several aspects of the trailer, including Black Widow being blonde. Was it because Cap and his band of Avengers were undercover and off the grid? Was it because, as their time in the MCU was coming to a close, Scarlett Johansson got to be a blonde Black Widow as Chris Evans got to be a bearded Captain America, more closely resembling their real life looks? Kiri said she didn’t remember ever reading a blonde Black Widow in the comics when she was a kid. Nor did I. During the conversation I realized the number of comics starring Natasha Romanoff – the Black Widow – I had read was shamefully small. One thing led to another and, as usual, I overcommitted. What follows is the first part of a little journey through Natasha’s comic book history, from her first appearance in Tales of Suspense #52 (1964) to her most recent miniseries, The Web of Black Widow (2019-20). Continue reading
I’m not trying to be hyperbolic when I say, Spider-Man: Life Story is the future of the comic book industry. Now I don’t mean to imply the comics industry as a whole is going to follow Chip Zdarsky’s elegant lead with every comic. I’m just saying I think they should. In Spider-Man: Life Story, Zdarsky (accompanied by my all-time favorite Spidey artist Mark Bagley (yay!)) explores what Peter Parker’s life could have been like had he aged naturally, with each issue of this six issue miniseries touching on one decade in Peter’s life. For example issue #1 is set in 1966, four years after Peter was bitten by the radioactive spider (as Stan Lee and Steve Ditko created Spidey in 1962 (see how that works?)). Issue #2 looks at the ‘70s and so on as Peter ages in real time. He isn’t perpetually stuck in his late 20’s or early 30’s. Four issues in, I’ll confidently say this will stand as one of the greatest Spider-Man stories ever told. It’s the most interested I’ve been in Peter Parker’s adventures as Spider-Man in almost twenty years too. In allowing Peter to age, Zdarsky has illustrated the hidden potential of the comic book genre. Continue reading
A few years ago, when I was counting down to my hundredth post on this site, I profiled the four comic books I’d found since my return to reading comics which had become indispensable to my reading life. These were the comics that, even if I stopped collecting comics again, I couldn’t imagine putting down. They showcased, for me, the best of what a comic could offer while doing things I never imagined a comic book could. They were (in the order I wrote about them in my countdown), Marvel’s Ms. Marvel, IDW’s Teenage Mutant Ninja Turtles, IDW’s Ghostbusters, and Marvel’s The Unbeatable Squirrel Girl. Thinking of those titles now, I can still feel the burgeoning excitement and awe that accompanied my return to comic reading. They also make me think of impermanence. Continue reading
Where is the line for what can and can’t be changed in regard to certain characters? Or rather, where is the line for what changes can be permanent as opposed to those inevitably reverted by future writers? This question has been on my mind a lot last month (well, in addition to being terribly sick and having to do my end of term grading – but all my extra mental energy has been focused on this). As a genre, comics demand new stories for their most popular characters every month (sometimes multiple times a month) unceasingly for decades without allowing characters to age more than five or ten years. It’s easy to see why reboots, alternate realities, Legacy Characters assuming a mantle, time travel, alien doppelgangers, mind-wipes, and so on always pop-up. How do you keep an unending story fresh? One trope employed to this end is the redemption of a villain and this, specifically, has been on my mind. Continue reading