This month marks the 80th Anniversary of Wonder Woman!!! I didn’t read her comics as a kid but Diana of Themyscria is a character who’s come to mean very much to me. As Patty Jenkins’ Wonder Woman (2017) was my gateway to Diana and her world, it felt apropos to mark this occasion by (finally) posting the piece I wrote after seeing Wonder Woman 1984. I LOVE the movies. Since I got my driver’s license, rarely more than a week went by in between trips to the theatre. However, after a 10:05 pm showing of Brahms: The Boy 2 on 7 March 2020, lockdown hit. So when I saw Wonder Woman 1984, it’d been over TEN MONTHS since I’d went to the movies. I wanted my return to be special and WW84 was the logical choice. I wasn’t disappointed! Wonder Woman 1984 was a worthy successor to the masterpiece that was Wonder Woman. Patty Jenkins and Gal Gadot did it again! They captured lightning in a bottle twice…at least as far as I was concerned. I was stunned when I began talking to friends – close friends who often share my opinion of films – and learned not everyone felt the same. Some did, but some didn’t. Granting all art is subjective, I still became curious, wondering what they saw in this film. Many conversations followed and this piece was born of my side of those conversations. This is an exploration of all I see in WW84.
Which comics go in my file/pull list is a decision I ponder regularly. What must be read monthly in single issues? Which stories/characters/creators can’t wait? I ask myself this whenever I consider juggling the comics in my file because, well, money’s a thing and I only have so much for comics before they turn off my electricity and water and I use those all the time. Despite Spider-Man being the fictional character I’ve had the longest running relationship with, The Amazing Spider-Man is rarely on my pull list simply because I favor newer characters (or characters new to me). Miles Morales/Spider-Man or Cindy Moon/Silk or America Chavez or Jane Foster/Valkyrie don’t yet have as bedrock a status quo to reset to so their characters feel more dynamic and thus, with more potential for lasting change, there’s a greater sense of urgency to read those stories each month instead of waiting for them to pop up on Marvel Unlimited or be collected in a trade paperback. However, last night I learned Ben Reilly was donning the webs once more so today I went to my local comic shop to add The Amazing Spider-Man to my file for the first time in years!
Jessica Jones was one of the genre-redefining characters born during my hiatus from regular comic reading. Created by Brian Michael Bendis (writer) and Michael Gaydos (artist), she first appeared in Alias #1, released in November 2001. Coincidentally enough, I spent that fall falling for another Alias – J.J. Abrams’ cliffhanger and slow-mo running loving spy show starring Jennifer Garner. At the time, I had no idea another Alias existed. Once I saw (and enjoyed!) Jessica Jones on Netflix, I kept my eyes peeled for her comics. Alias isn’t on Marvel Unlimited and I’d never seen the collected trades below $25.99 apiece (which I’ll spend but it’s a risky move without reading a single issue). But then magic struck! I found Jessica Jones: Alias Vol. 1, 3, and 4 (of four!!!) as I strolled Ollie’s Bargain Outlet last week! I tracked down Vol. 2 as well, and then…well, you know how some books are overhyped? It turns out, even after the endless praise I’ve heard about Jessica Jones as a character and Alias as a comic, it ended up being better than I imagined.
I DID IT. I DID IT. It took me three years but I read over 300 comics and have successfully walked through all fifty-seven years of Black Widow’s comic history! Natasha Romanoff has gone from a character I was familiar with from Avengers comics and team-up stories to one of the comic characters I know best of all. I AM SO HAPPY I DID THIS! Now, with a month left until Black Widow finally hits theatres, I’m examining the stories marking Natasha’s journeys from 2010-2020. As usual, kudos goes to Kiri (of Star Wars Anonymous) for casually asking if Black Widow was ever blonde in the comics (she was! see ’00-’10) waaay back when the Avengers: Infinity War trailer came out and kudos to my over-committing parts for deciding to read everything from Natasha’s first appearance in Tales of Suspense #52 (1964) up through Web of Black Widow (2019-20) instead of just googling it.
That’s right, dear reader, you’ve read that correctly. I’m writing a book! I’ve officially signed a contract with Claremont Press to write a book for their Religion & Comics series! The volume will explore the prophetic dimension of modern superhero comic books. Ahhhhhh, I’m SO EXCITED about this project and I can’t wait to share it with everyone!
On a whim, I decided to try watching Harley Quinn on HBO Max. My only real experience with Harley Quinn up to this point had been Batman: The Animated Series, obviously, and DC’s recent Suicide Squad and Birds of Prey and the Fantabulous Emancipation of one Harley Quinn. As I watched, I thought it’d be fun to write about the experience as I did last year, when I tried to binge-watch ninety-six episodes of Supergirl in the nineteen days I had left before the new season premiered. Instead of doing any sort of analysis or deconstruction or anything like that, I just wrote my stream-of-consciousness thoughts as I watched. Now I’ve discovered the DC Universe’s Harley Quinn show! And, while I watched at a more leisurely pace (relatively speaking), I decided to write the same sort of piece. Let’s see where this goes…
In the seventh installment of my li’l series exploring the variety of romantic archetypes found in literature (illustrating the variety of romantic experiences we find in life) using only Spider-Man comics, I’m examining Peter Parker’s relationship with Betty Brant. This relationship represents a lot for Peter. She was his first date. She was his first girlfriend. She was his first crush-he-saw-as-love. But as they grew up their relationship became complicated. We love to invoke that relationship descriptor – It’s complicated – and Peter and Betty perfectly embody it. We’ve all been there ourselves though, in one way or another, so in their relationship we find something that resonates and – maybe! – something that makes us feel a little bit better about our own complicated loves, too.
Weeks ago, listening to “What Christmas Means To Me” while decorating got me thinking about what Christmas means to me. I decided to spend the month of December reflecting on it with a series of posts and I decided to use Doctor Who Christmas specials as the lens through which to do my reflecting…and now we’re here! I feel like I blinked and I’m writing the fourth piece and Christmas is this week! Ahhh! Showrunner Chris Chibnall has shifted the Doctor Who special to New Year’s Day as opposed to Christmas but – as Jodie Whittaker’s Thirteenth Doctor has become my favorite Doctor – I didn’t want to leave the Doctor, Yaz, Ryan, and Graham out of the fun here. Enter Titan Comics to the rescue! Jody Houser (writer), Roberta Ingranata (artist), and Enrica Eren Angiolini (colorist) took the fam on an amazing Christmas adventure last year in Doctor Who: The Thirteenth Doctor Holiday Special. Yay! So, What Does Christmas Mean To Me (Vol. 4)? Well, let’s crack open a couple comics and figure it out.
It’s time for the fifth installment in my li’l series using only Spider-Man comics and characters to examine the variety of romantic archetypes we find in literature (illustrating the variety of romantic experiences we find in life). Cindy Moon attended the same scientific demonstration Peter Parker did when he was bitten by the radioactive spider that gave him his powers. Before it died, the spider would bite Cindy, too. She gained the same basic powers as Peter – albeit with a more attuned spider-sense, faster speed, and the ability to spin organic webbing from her fingertips – and would eventually take on the name “Silk” and become a superhero in her own right. She and Peter also have an overwhelming physical/sexual attraction to each other. Their relationship, such as it was, represents those “purely physical” attractions we have in our lives. It’s fun and it’s so hot but it was never really going to last nor was there any way they could’ve ever been “the one” as it was only ever just a physical thing. Continue reading
The centerpiece of Jason Aaron’s epic seven year run writing Thor: God of Thunder/The Mighty Thor/Thor was Jane Foster lifting Mjölnir when the Odinson found himself unworthy to do so. She became Thor, the Goddess of Thunder, and the stories that followed were the best Thor comics I’ve ever read. It may be the best executed single story arc I’ve ever ready in any comic ever. When the Odinson eventually reclaimed his title as the God of Thunder, Jane returned her focus to her civilian life, medical career, and – most importantly – fighting the cancer raging inside her. However, her superhero career was far from over and the stories Jane Foster now finds herself in (written first by Jason Aaron and Al Ewing and now by Jason Aaron and Torunn Grønbekk) dance along the mysterious, wonderous, frightening, sacred threshold that is the dividing line between life and death. Continue reading