As a character, the Ghost Rider fascinates me. But, with the exception of the ‘90s Spirits of Vengeance title that teamed the Dan Ketch-possessed-Ghost Rider with his (then) demon-free first host Johnny Blaze, I’ve read very few of his comics. Looking back, outside of movies like Ghostbusters 2 (which scared the $#!T out of me), Spirits of Vengeance was really my first foray into horror. Well, horror-lite. Well, horror-lite for a comic book. Well, after I’ve come to enjoy things like Penny Dreadful, It Follows, and The Shining and have had to endure horrors like Hereditary (WORST THING EVER), I wouldn’t really call Spirits of Vengeance “horror” anymore. It’s more a supernatural thriller. But for young me, it was the first time I willingly and intentionally entered the (Ghostbusters-free) world of demons, possessions, and fiery hellscapes. Lately, I’ve found myself thinking of the Ghost Rider. A lot. I can’t stop imagining what shape this Spirit of Vengeance would take if it flamed into being in 2020. Continue reading
In a recent post about the first teaser trailer for Black Widow, I discussed my excitement for the film while pointing out the criticism Marvel received almost as soon as the trailer premiered for fat shaming again. In addition to all the (fair and deserving) praise Avengers: Endgame received, it also received some (fair and deserving) criticism for fat shaming in their presentation of Thor. The trailer for Black Widow does the same with the character of Red Guardian. A comment left on that post led to the idea for this one. While putting together my reply, I decided it warranted its own post. I write often of the intersection of comic books and social justice issues on this site so it’s not just natural but important I address this because fat shaming, or weightism, is a justice issue. It’s also one, sadly, many people in our culture don’t understand or, worse, don’t even acknowledge as an issue at all. Thankfully that’s starting to change and now seems like an opportune time to add my voice to that chorus. Continue reading
Once upon a time, Mom bought li’l three-year-old me a copy of Web Of Spider-Man #12 at the grocery store. So began a lifelong love affair with the character Spider-Man, the medium of comic books, and the world of superheroes. When I turned sixteen my comic budget turned towards gas money. But then, four years ago, I decided to return to my local comic shop and something magical happened. I rediscovered an old love and found something I never expected in The Unbeatable Squirrel Girl. This month Ryan North (writer), Derek Charm (artist), Rico Renzi (colorist), Travis Lanham (letter), and Wil Moss (editor) – with a surprise dash of Erica Henderson (artist) – have brought this remarkable title to an end. That leaves me with a lot on my mind. How do I say goodbye to something that’s come to mean so much to me?
There will be no significant spoilers for the final issue/arc here, just lots of feelings :). Continue reading
When Captain Marvel opened on 8 March 2019 it was kind of a big deal. After a decade of dragging their feet, Marvel Studios was finally putting the solo spotlight on one of their female superheroes. Brie Larson was bringing Earth’s mightiest hero – Carol Danvers/Captain Marvel – to life! This film would also mark the entrance of the Skrulls into the Marvel Cinematic Universe. The Skrulls, a shapeshifting alien race, have plagued the (comic) Marvel Universe since the ‘60s. As happened with Black Panther/Avengers: Infinity War the year before, it was a shame Avengers: Endgame came out so soon after Captain Marvel. Attention from this brilliant film was quickly redirected first to speculation about, then reaction to, and finally analysis of Avengers: Endgame. But there is so much in Captain Marvel that warrants a closer look, one point in particular being the Skrulls themselves. Continue reading
I loved Chelsea Cain’ Mockingbird. It was a comic as fun as it was intelligent and laugh-out-loud funny, easily one of the best Marvel was publishing…until they prematurely cancelled it. So you can imagine my elation when I realized Chelsea Cain was back together with her entire Mockingbird team to do another comic! This time she’s writing for Image Comics and the result is the darkly satirical horror/comedy comic Man-Eaters. It’s narrative is richly symbolic and deeply mythological all while delivering a unflinching assault on patriarchal oppression. It’s funny and creepy and has this fascinating slow building mystery. If you’d like to know more (and who wouldn’t?!?) then you can click here to read the piece I wrote exploring it for Reads & Reels! I would be super happy if you clicked and read because I dig the piece, love the comic, and am happy to be featured on Reads & Reels :). So, um, what are you waiting for? Click away! Continue reading
This is a milestone for me :). This piece is my 300th post on My Comic Relief!! I’ve been trying to figure out which comic was worthy of such a tribute since about my 256th post. Then, like a blinding flash of lightening it hit me. I adored Jason Aaron, Russell Dauterman, and Matthew Wilson’s work with Jane Foster in The Mighty Thor. She’s become my definitive Thor. I’ve written several pieces exploring the brilliance of this run but I’ve never written about the end of Jane’s time wielding Mjölnir. To do so, I wanted it to be special. Instead of another analysis, I aim to simply pay tribute, to eulogize in the wake of “The Death of the Mighty Thor,” to talk about why I fell in love with this character and this comic. In short I want to explain why Jane’s time as Thor became MY FAVORITE COMIC BOOK STORYLINE OF ALL TIME. In my heart, she’ll always be who I mean when I invoke the name “Thor.” Continue reading
Okay, I’m sure everyone’s expecting something about Spider-Man: Into The Spider-Verse. But here’s the thing; right now I have nothing unique to say that wouldn’t just echo the fan and critical praise it’s already generating. I am in awe of this film. It’s so brilliant and fun and funny and it far surpassed my exceedingly high expectations. I’ve seen the future of Spider-Man movies and it is animated. Eventually, I’ll have something deeper or more thoughtful to say. But for now, I have to say this: If, like me, you’re beyond in love with Into The Spider-Verse then you need to read Saladin Ahmed and Javier Garrón’s Miles Morales: Spider-Man #1. For any Miles Morales fan, old or new, this comic is a love-at-first-page experience and the love grows exponentially with each following page. I’m one issue into the new creative team’s run and I’m already counting the days to issue #2. Continue reading