My first Spider-Man comic was Web of Spider-Man #12. It came out in March of 1986 when I was just three-years-old. I got it from the spinny rack at the grocery store and I read it so many times the pages eventually ripped away from its tattered cover. Always one to encourage reading, Mom regularly let me get comic books when we were at the grocery store, drug store, or gas station. When I was seven-years-old, my parents got me a membership to our local comic shop (perks included a 20% discount off the cover price and a pull list). Weekly trips to Books Galore were a part of my life until I turned sixteen. All of a sudden things like gas money and the outings driving fostered began to make demands of my budget so, with conflicting emotions, I decided to stop collecting comics. My last was Peter Parker: Spider-Man #98. Released in November of 1998, it was the “end” of Peter and Mary Jane’s story (until the next month’s reboot) so it felt like a fitting end.
It’s time once more for another installment in my series using only Spider-Man comics to explore the variety of romantic archetypes we find in literature (illustrating the variety of romantic experiences we find in life)! The last piece in this series examined the high school crush, paying special attention to all those crushes we carry deep in our heart and never voice. This piece looks at unrequited love beyond high school pining. While it can be present in high school, particularly as we get older there can be a heavier side to the unrequited lover. Living with a love unvoiced wraps one of the most important parts of our being in a very lonely shell. Jean DeWolff, in addition to being part of one of the most famous stories in the first twenty-five years of Spider-Man’s comic history, illustrates this painful reality in a particularly poignant way.
This was a guest piece I wrote back in August of 2018 for a site that no longer exists. I like it and was thinking about Thanos today (I know…dark, right?) so I figured I’d post it here with a few slight edits. Enjoy!
What’s the plural of Thanos? Would it be Thanos? Or Thanoses? Or Thani? I don’t know but I still kind of like the ring of this title anyway so I’m sticking with it. Once Avengers: Infinity War was finally upon us, one of its most discussed features was the character of Thanos. I’ve read many reviews and essays examining the film which make the point Avengers: Infinity War is more a film about Thanos than any of the superheroes, something directors Joe and Anthony Russo have said themselves. What struck me most about Thanos when I first saw Avengers: Infinity War (and has continued to warrant further reflection with each subsequent viewing) is how different his motivations are in the film from the comics. Continue reading
Which comics go in my file/pull list is a decision I ponder regularly. What must be read monthly in single issues? Which stories/characters/creators can’t wait? I ask myself this whenever I consider juggling the comics in my file because, well, money’s a thing and I only have so much for comics before they turn off my electricity and water and I use those all the time. Despite Spider-Man being the fictional character I’ve had the longest running relationship with, The Amazing Spider-Man is rarely on my pull list simply because I favor newer characters (or characters new to me). Miles Morales/Spider-Man or Cindy Moon/Silk or America Chavez or Jane Foster/Valkyrie don’t yet have as bedrock a status quo to reset to so their characters feel more dynamic and thus, with more potential for lasting change, there’s a greater sense of urgency to read those stories each month instead of waiting for them to pop up on Marvel Unlimited or be collected in a trade paperback. However, last night I learned Ben Reilly was donning the webs once more so today I went to my local comic shop to add The Amazing Spider-Man to my file for the first time in years!
For the TENTH entry (we’ve hit double digits! ahhhhhh!) in this series using only Spider-Man comics to explore the variety of romantic archetypes we find in literature (illustrating the variety of romantic experiences we find in life) it’s time to go back to those awkward, social-anxiety-filled days of high school! This celebratory tenth installment will examine one of the most universal romantic experiences which naturally leads to a wildly pervasive trope – the high school crush. Aww, those were some good (and, you know, maybe a little scarring) times. I’m sure many readers who are longtime Spider-fans would expect this post to be about Peter Parker and Liz Allen. But I think Jessica Jones is a far better fit. Trust me, read on and it’ll all make sense. Let’s take a look at Jessica Jones and Peter Parker as we reminisce about all the thrills and gut-wrenching turmoil of our high school crushes!
Perhaps the most oft repeated observation about the Fantastic Four is they are a family first, superheroes second. This piece of their identity has been their cornerstone since Stan Lee ushered in the “Marvel Age of Comics” with their creation in 1961. With the FF poised to enter the Marvel Cinematic Universe, Dan Slott was given the reins of “The World’s Greatest Comic Magazine” in 2018. Understanding the nature of the FF – a family of explorers and travelers who save the day when needed – he uses it to examine a captivating concept which seems uniquely suited to the Fantastic Four. When their explorations take them to the planet Spyre, Reed Richards/Mr. Fantastic, Sue Storm/the Invisible Woman, Johnny Storm/the Human Torch, and Ben Grimm/the Thing meet the Overseer, the leader of the Spyricans, a people who have technology they claim will show you your Soul Mate with absolute certainty. Families are born in the bonds of love and there’s no love like a Soul Mate…should such a thing exist. What better place to drop explorers defined by their family than the questions raised at the intersection of loving communion and a technology that can predict the mystical movements of the heart?!!?
As readers we can’t help but take this journey with the Fantastic Four and wonder are Soul Mates real? And if they are, would we want to know?
Jessica Jones was one of the genre-redefining characters born during my hiatus from regular comic reading. Created by Brian Michael Bendis (writer) and Michael Gaydos (artist), she first appeared in Alias #1, released in November 2001. Coincidentally enough, I spent that fall falling for another Alias – J.J. Abrams’ cliffhanger and slow-mo running loving spy show starring Jennifer Garner. At the time, I had no idea another Alias existed. Once I saw (and enjoyed!) Jessica Jones on Netflix, I kept my eyes peeled for her comics. Alias isn’t on Marvel Unlimited and I’d never seen the collected trades below $25.99 apiece (which I’ll spend but it’s a risky move without reading a single issue). But then magic struck! I found Jessica Jones: Alias Vol. 1, 3, and 4 (of four!!!) as I strolled Ollie’s Bargain Outlet last week! I tracked down Vol. 2 as well, and then…well, you know how some books are overhyped? It turns out, even after the endless praise I’ve heard about Jessica Jones as a character and Alias as a comic, it ended up being better than I imagined.
Welcome to the ninth installment in this li’l series using Spider-Man comics to explore the variety of romantic archetypes we find in literature (illustrating the variety of romantic experiences we find in life)! Bobbi Morse/Mockingbird is a scientific genius, Avenger, S.H.I.E.L.D. agent, and super spy whose relationship with Peter Parker would be a central part of Dan Slott’s final years writing The Amazing Spider-Man. In Bobbi Morse, Peter found a witty, compassionate partner who could kick his ass and/or inspire him when he needed it. Every bit as smart as Peter, she’d meet him in his brilliance and push him further. As Mockingbird, she stood beside Spider-Man to face everything from Skrull invasions to Norman Osborn’s Dark Reign to the Zodiac terrorist attacks to Hydra takeovers. Being a superhero herself, Bobbi could share Peter’s entire life. Oh, and they worked together. Which is good because, you know, nothing can ever go wrong when you date a coworker.
I DID IT. I DID IT. It took me three years but I read over 300 comics and have successfully walked through all fifty-seven years of Black Widow’s comic history! Natasha Romanoff has gone from a character I was familiar with from Avengers comics and team-up stories to one of the comic characters I know best of all. I AM SO HAPPY I DID THIS! Now, with a month left until Black Widow finally hits theatres, I’m examining the stories marking Natasha’s journeys from 2010-2020. As usual, kudos goes to Kiri (of Star Wars Anonymous) for casually asking if Black Widow was ever blonde in the comics (she was! see ’00-’10) waaay back when the Avengers: Infinity War trailer came out and kudos to my over-committing parts for deciding to read everything from Natasha’s first appearance in Tales of Suspense #52 (1964) up through Web of Black Widow (2019-20) instead of just googling it.
Jason Aaron’s time writing Thor – from Thor: God of Thunder to Thor to The Mighty Thor to Thor (again) to War of the Realms to King Thor – produced the defining version of the character. No one, at least in my humble opinion, has ever done more with Thor nor understood the character, their world, and its theological fertility more than Jason Aaron. Jane Foster lifting Mjölnir to become Thor herself was the heart of Aaron’s run. But for that to happen, Thor Odinson had to find himself unable to lift the hammer. This idea – the idea of Thor being unworthy – ties together much of what Aaron did. Its seeds were sown in his very first arc, as Thor faced the brutality of Gorr the God Butcher. Its actualization would lead to Jane lifting Mjölnir and becoming the mightiest Thor and the greatest of all the gods. Its effects would culminate in Thor Odinson’s climactic battle with Malekith the Accursed during the War of the Realms and it would shape the sort of king Thor would become.