This month marks the 80th Anniversary of Wonder Woman!!! I didn’t read her comics as a kid but Diana of Themyscria is a character who’s come to mean very much to me. As Patty Jenkins’ Wonder Woman (2017) was my gateway to Diana and her world, it felt apropos to mark this occasion by (finally) posting the piece I wrote after seeing Wonder Woman 1984. I LOVE the movies. Since I got my driver’s license, rarely more than a week went by in between trips to the theatre. However, after a 10:05 pm showing of Brahms: The Boy 2 on 7 March 2020, lockdown hit. So when I saw Wonder Woman 1984, it’d been over TEN MONTHS since I’d went to the movies. I wanted my return to be special and WW84 was the logical choice. I wasn’t disappointed! Wonder Woman 1984 was a worthy successor to the masterpiece that was Wonder Woman. Patty Jenkins and Gal Gadot did it again! They captured lightning in a bottle twice…at least as far as I was concerned. I was stunned when I began talking to friends – close friends who often share my opinion of films – and learned not everyone felt the same. Some did, but some didn’t. Granting all art is subjective, I still became curious, wondering what they saw in this film. Many conversations followed and this piece was born of my side of those conversations. This is an exploration of all I see in WW84.
While Harley Quinn is often framed as an antihero in the comics, she most certainly isn’t. She is as much a superhero as anyone in the DC Universe and, being a survivor of abuse, she is stronger than just about any hero DC has, too. Since falling in love with her character (thanks Harley Quinn on HBO Max!) I’ve read every Harley comic from 2013 to the present and she’s not done anything remotely antihero-ish in any of them. Yes, Harley’s wild, a little chaotic, and has an impulse control problem (all of which she admits) but being a free spirit isn’t the same as being morally ambivalent. Her actions in the comics, again and again, are remarkably heroic. And I will die on this hill ;D. Since seeing The Suicide Squad I’ve been wondering if the same holds true in the movies. In the comics, Harley Quinn is a true superhero and the type of character we should all aspire to be like – as compassionate, loving, and open as she is brave. But what about the DCEU (DC Extended Universe)? Is Harley an antihero in the films or, like the comics, is she a superhero lacking the recognition she deserves?
This was not the piece I expected to write about The Suicide Squad. I had a completely different idea in mind as the film began but as I watched the movie I realized this was what I needed to talk about. I’ve always loved stories. Who doesn’t? Reading, watching, telling, and listening to them – I’m here for all of it! I will reread and rewatch the stories I love again and again and again. The right story takes a place in our heart like nothing else can. Years ago this blog was born, in part, as an outlet to write about the stories I love (so maybe I’d talk about them a little less in real life (but the exact opposite occurred XD)). I love thinking about stories, talking about stories, analyzing and deconstructing stories, teaching with and through stories – I love it all. So I needed to write about Cleo Cazo/Ratcatcher 2, played by Daniela Melchior and written/directed by James Gunn in The Suicide Squad, because never in my whole life has any character in any story ever moved what this character in this story moved within me. And that is certainly something worthy of exploration! This piece has a few minor spoilers for the film but you’ll be warned beforehand.
Harley Quinn has had legions of loyal fans for ages. For a long time, I mainly knew her as the Joker’s girlfriend on Batman: The Animated Series. I knew DC had brought her into their comics’ continuity. I knew she and the Joker had broken up (maybe? sort of?). I knew she’d shifted from villain to antihero to star in her own comic. I’d heard her referred to as “DC’s Deadpool.” But what about her brought such adoration among readers? In a 2016 interview with Vulture, DC Comics’ Publisher and CCO Jim Lee said, “I refer to her as the fourth pillar in our publishing line, behind Superman, Batman, and Wonder Woman.” That’s HUGE. Lee is equating Harley to DC’s Trinity, their Big Three, the foundation upon which DC is built. After reading the near 100 comics comprising Amanda Conner and Jimmy Palmiotti’s run on Harley Quinn (yes, I got excited and bought them all (no, I have no regrets)) I get it.
On a whim, I decided to try watching Harley Quinn on HBO Max. My only real experience with Harley Quinn up to this point had been Batman: The Animated Series, obviously, and DC’s recent Suicide Squad and Birds of Prey and the Fantabulous Emancipation of one Harley Quinn. As I watched, I thought it’d be fun to write about the experience as I did last year, when I tried to binge-watch ninety-six episodes of Supergirl in the nineteen days I had left before the new season premiered. Instead of doing any sort of analysis or deconstruction or anything like that, I just wrote my stream-of-consciousness thoughts as I watched. Now I’ve discovered the DC Universe’s Harley Quinn show! And, while I watched at a more leisurely pace (relatively speaking), I decided to write the same sort of piece. Let’s see where this goes…
Kate Kane, the Batwoman, is a remarkable character. Even after a lifetime of being bored by Batman, I found her so compelling James Tynion IV’s Detective Comics – with Batwoman leading Batman’s team in Gotham – became a permanent part of my pull list. Her solo Rebirth Batwoman title, penned by Marguerite Bennette and Tynion IV, soon followed. Last Christmas I was excited to find trade collections of her earlier New 52 adventures had made their way under the tree. What draws me to Batwoman is, while she wears the bat symbol, she transcends the most serious faults we see in the Batman. In so doing, she’s not just a character I connect with and love reading about. She’s also one who instructs and inspires transformation in her readers, as only the most important characters do. Continue reading
I have a habit of committing (should we say overcommitting?) to ridiculous viewing marathons. I don’t really know why. But I tend to do it more so with movies than shows. However, when I heard the Arrowverse was going to be gaining a new show this fall in the form of Batwoman – a character whom I adore – I knew I’d be tuning in. When I realized Batwoman would be airing Sunday nights before Supergirl – a show I’ve always been interested in but never committed to watching (because the Arrowverse is huge and intimidating) – I figured I should check it out. Why not, right? The first four seasons were on Netflix. Maybe, maybe I should try and binge-watch (even though I don’t particularly care for binge-watching) all four seasons before the new one premiered. Then I could watch Batwoman live without fear of spoilers for Supergirl AND enjoy Supergirl at the same time! Was this the best idea I’ve ever had??
What follows is the stream-of-consciousness list of lessons I learned while trying to watch all ninety-six episodes of Supergirl (with crossovers) over the course of sixteen wild days. Continue reading
In October of 2012, Arrow launched on the CW. It was a new DC show centered around Oliver Queen, the wealthy playboy-turned-costumed-vigilante know as Green Arrow. It was an attempt to help fill the superhero void left on the CW when Smallville’s epic ten season run (2001-2011) came to an end. While Oliver Queen appeared on Smallville, the producers of Arrow decided to start fresh, casting Stephen Amell in the title role as opposed to Justin Hartley who played him on Smallville. But that was only the beginning. Arrow would beget The Flash (2014-present), the short-lived Constantine (2014-2015), Supergirl (2015-present), Legends of Tomorrow (2016-present), and three web series; Vixen (2015-2016), Freedom Fighters: The Ray (2017-2018), and Deathstroke: Knights & Dragons. This Arrowverse has become a huge hit with critics and fans alike…and I’ve watched none of it. Why would I? Do you have any idea how big a time commitment that is?!!? And I’ve always been a Marvel guy anyway.
But now the Arrowverse has Batwoman and, because of that, everything’s changed. Continue reading
A few years ago, when I was counting down to my hundredth post on this site, I profiled the four comic books I’d found since my return to reading comics which had become indispensable to my reading life. These were the comics that, even if I stopped collecting comics again, I couldn’t imagine putting down. They showcased, for me, the best of what a comic could offer while doing things I never imagined a comic book could. They were (in the order I wrote about them in my countdown), Marvel’s Ms. Marvel, IDW’s Teenage Mutant Ninja Turtles, IDW’s Ghostbusters, and Marvel’s The Unbeatable Squirrel Girl. Thinking of those titles now, I can still feel the burgeoning excitement and awe that accompanied my return to comic reading. They also make me think of impermanence. Continue reading
My near-exclusive Marvel fandom has been indelibly stamped on my being for over thirty years however I’ve wanted to read Wonder Woman since I saw Patty Jenkins’ brilliant film. She redefined everything a comic book movie could be/do in the summer of 2017 and I was captivated. Diana Prince is a uniquely important character too, who’s been a part of our popular culture since 1941. She is the archetypal female superhero. She’s part of DC’s Trinity and, no matter how much I love them, Marvel has no one like her. In short, she’s a character I should know. So I tried the first issue of Greg Rucka’s “Rebirth” run but found it more confusing than welcoming. Yet I kept trying, wanting to experience this character I’d fallen in love with at the movies in the genre she was born into. I researched “classic” or “definitive” Wonder Woman stories but jumping into the middle of seventy-seven years of stories, almost completely at random, felt a bit intimidating. Then came G. Willow Wilson. Continue reading