I adore HBO Max’s Harley Quinn: The Animated Series. It fundamentally shifted my relationship with the character. Before I watched the show, I enjoyed Harley Quinn. After watching it, I began tracking down every Harley comic I could find! In the process, she became a very important character to me. Naturally, I was excited when I heard of Tee Franklin (writer) and Max Sarin (artist)’s Harley Quinn: The Animated Series: The Eat. BANG! Kill. Tour, billed as Season 2.5. The comic captures everything I love about the show and features serious character development for both Harley and Poison Ivy, something all too rare in stories set between films in a series or seasons of a TV show. This development, woven through a story with all the profanity, insanity, and hilarity you’d expect from Harley Quinn: The Animated Series, enriches the characters and serves as a beautiful model for readers. Any comic which can do all that while also including the line “Piss cakes of a dick” is a true gift :D.
Bill McKibben’s introduction to his 2019 book, Falter: Has the Human Game Begun to Play Itself Out?, begins by reflecting on his 1989 text, “As the title indicates, The End of Nature was not a cheerful book, and sadly its gloom has been vindicated. My basic point was that humans had so altered the planet that not an inch was beyond our reach, an idea that scientists underlined a decade later when they began referring to our era as the Anthropocene. This volume is bleak as well – in some ways bleaker, because more time has passed and we are deeper in the hole…Put simply, between ecological destruction and technological hubris, the human experiment is now in question. The stakes feel very high, and the odds very long, and the trends very ominous.” This is why a part of me can’t help but root, however conflictedly, for Poison Ivy in G. Willow Wilson (writer), Marcio Takara (artist), Arif Prianto (colorist), and Hassan Otsman-Elhaou (letterer)’s new miniseries, Poison Ivy, despite her goal being, you know, the absolute end of the human race. Because maybe we kinda deserve it? At least maybe we don’t not deserve it.
Welcome to the latest installment in our yearly Fiction’s Fearless Females series! Michael of My Comic Relief kicked us off with his post on Harley Quinn and Poison Ivy of the Harley Quinn animated and comic book series. Kalie of Just Dread-full followed with Ellie and Sandie from the film “Last Night in Soho.” Look out for Jeff of The Imperial Talker’s post in just a few days, and Nancy’s post next week!
In last year’s post, I teased the heroine I had in mind for this year’s post. Our friendship theme for this year fit perfectly for who I had in mind: Black Canary. This was a prime opportunity to kill two birds with one stone, if you’ll forgive the pun.
It’s International Women’s Day and for the fourth year in a row I’ve teamed up with some fellow bloggers – Kalie of Just Dread-full, Jeff of The Imperial Talker, and Nancy and Kathleen of Graphic Novelty2 – to celebrate some of our favorite female characters in all of fiction. This year I was having trouble deciding on who to write about. I wanted to rewatch Harley Quinn on HBO Max and read Tee Franklin’s Harley Quinn the Animated Series: The Eat. BANG! Kill. Tour but should I write about Harley Quinn or Poison Ivy? Then it hit me! The entire show (and comic which serves as Season 2.5) is anchored in their relationship. I would be hard pressed to write about one without writing about the other. Plus, for a series celebrating “fearlessness,” it’s within their friendship where Harley and Ivy find and demonstrate the most incredible courage. Standing beside each other, they (ultimately) own and face their greatest fears. So I’m writing about Harley and Ivy and the type of friendship we should all be so lucky to have.
Given the focus of this piece it’ll have major spoilers for S1&2 of Harley Quinn as well as light spoilers for Tee Franklin’s (as brilliant as it is beautiful) Harley Quinn the Animated Series: The Eat. BANG! Kill. Tour.
This month marks the 80th Anniversary of Wonder Woman!!! I didn’t read her comics as a kid but Diana of Themyscria is a character who’s come to mean very much to me. As Patty Jenkins’ Wonder Woman (2017) was my gateway to Diana and her world, it felt apropos to mark this occasion by (finally) posting the piece I wrote after seeing Wonder Woman 1984. I LOVE the movies. Since I got my driver’s license, rarely more than a week went by in between trips to the theatre. However, after a 10:05 pm showing of Brahms: The Boy 2 on 7 March 2020, lockdown hit. So when I saw Wonder Woman 1984, it’d been over TEN MONTHS since I’d went to the movies. I wanted my return to be special and WW84 was the logical choice. I wasn’t disappointed! Wonder Woman 1984 was a worthy successor to the masterpiece that was Wonder Woman. Patty Jenkins and Gal Gadot did it again! They captured lightning in a bottle twice…at least as far as I was concerned. I was stunned when I began talking to friends – close friends who often share my opinion of films – and learned not everyone felt the same. Some did, but some didn’t. Granting all art is subjective, I still became curious, wondering what they saw in this film. Many conversations followed and this piece was born of my side of those conversations. This is an exploration of all I see in WW84.
While Harley Quinn is often framed as an antihero in the comics, she most certainly isn’t. She is as much a superhero as anyone in the DC Universe and, being a survivor of abuse, she is stronger than just about any hero DC has, too. Since falling in love with her character (thanks Harley Quinn on HBO Max!) I’ve read every Harley comic from 2013 to the present and she’s not done anything remotely antihero-ish in any of them. Yes, Harley’s wild, a little chaotic, and has an impulse control problem (all of which she admits) but being a free spirit isn’t the same as being morally ambivalent. Her actions in the comics, again and again, are remarkably heroic. And I will die on this hill ;D. Since seeing The Suicide Squad I’ve been wondering if the same holds true in the movies. In the comics, Harley Quinn is a true superhero and the type of character we should all aspire to be like – as compassionate, loving, and open as she is brave. But what about the DCEU (DC Extended Universe)? Is Harley an antihero in the films or, like the comics, is she a superhero lacking the recognition she deserves?
This was not the piece I expected to write about The Suicide Squad. I had a completely different idea in mind as the film began but as I watched the movie I realized this was what I needed to talk about. I’ve always loved stories. Who doesn’t? Reading, watching, telling, and listening to them – I’m here for all of it! I will reread and rewatch the stories I love again and again and again. The right story takes a place in our heart like nothing else can. Years ago this blog was born, in part, as an outlet to write about the stories I love (so maybe I’d talk about them a little less in real life (but the exact opposite occurred XD)). I love thinking about stories, talking about stories, analyzing and deconstructing stories, teaching with and through stories – I love it all. So I needed to write about Cleo Cazo/Ratcatcher 2, played by Daniela Melchior and written/directed by James Gunn in The Suicide Squad, because never in my whole life has any character in any story ever moved what this character in this story moved within me. And that is certainly something worthy of exploration! This piece has a few minor spoilers for the film but you’ll be warned beforehand.
Harley Quinn has had legions of loyal fans for ages. For a long time, I mainly knew her as the Joker’s girlfriend on Batman: The Animated Series. I knew DC had brought her into their comics’ continuity. I knew she and the Joker had broken up (maybe? sort of?). I knew she’d shifted from villain to antihero to star in her own comic. I’d heard her referred to as “DC’s Deadpool.” But what about her brought such adoration among readers? In a 2016 interview with Vulture, DC Comics’ Publisher and CCO Jim Lee said, “I refer to her as the fourth pillar in our publishing line, behind Superman, Batman, and Wonder Woman.” That’s HUGE. Lee is equating Harley to DC’s Trinity, their Big Three, the foundation upon which DC is built. After reading the near 100 comics comprising Amanda Conner and Jimmy Palmiotti’s run on Harley Quinn (yes, I got excited and bought them all (no, I have no regrets)) I get it.
On a whim, I decided to try watching Harley Quinn on HBO Max. My only real experience with Harley Quinn up to this point had been Batman: The Animated Series, obviously, and DC’s recent Suicide Squad and Birds of Prey and the Fantabulous Emancipation of one Harley Quinn. As I watched, I thought it’d be fun to write about the experience as I did last year, when I tried to binge-watch ninety-six episodes of Supergirl in the nineteen days I had left before the new season premiered. Instead of doing any sort of analysis or deconstruction or anything like that, I just wrote my stream-of-consciousness thoughts as I watched. Now I’ve discovered the DC Universe’s Harley Quinn show! And, while I watched at a more leisurely pace (relatively speaking), I decided to write the same sort of piece. Let’s see where this goes…
Kate Kane, the Batwoman, is a remarkable character. Even after a lifetime of being bored by Batman, I found her so compelling James Tynion IV’s Detective Comics – with Batwoman leading Batman’s team in Gotham – became a permanent part of my pull list. Her solo Rebirth Batwoman title, penned by Marguerite Bennette and Tynion IV, soon followed. Last Christmas I was excited to find trade collections of her earlier New 52 adventures had made their way under the tree. What draws me to Batwoman is, while she wears the bat symbol, she transcends the most serious faults we see in the Batman. In so doing, she’s not just a character I connect with and love reading about. She’s also one who instructs and inspires transformation in her readers, as only the most important characters do. Continue reading