So…I may have a problem buying sonic screwdrivers. I’m not going to say how much I’ve spent but I will openly say I’ve purchased eight. But they’re worth it because I almost always have one on me and I almost always point them at any light as I turn it on or off. Regardless of the financial cost, my life is obviously immeasurably better being able to do this. On more than one occasion, while waving a sonic around at work, a student has asked if it was a lightsaber (an understandable mistake as a) Doctor Who isn’t as big in America as Star Wars and b) they know I love Star Wars). I explain that, no, it isn’t a lightsaber. It’s much better. A lightsaber is a weapon, the sonic screwdriver a tool. One has the potential to dismember and kill (which it’s often used for); the other to analyze, augment, and repair (which it’s always used for). When it comes to heroes, I’ll take the Doctor over the Jedi ten times out of ten. Early this schoolyear a student posed a question – If I had to pick just one fictional universe to enjoy for the rest of my life would I choose Marvel, Star Wars, or Doctor Who? The answer was surprisingly simple. There are many reasons I’d choose Doctor Who but the most important is the way the Doctor moves through space and time, always modeling an ethic of kindness and sowing the seeds of hope across creation.
Jason Aaron’s time writing Thor – from Thor: God of Thunder to Thor to The Mighty Thor to Thor (again) to War of the Realms to King Thor – produced the defining version of the character. No one, at least in my humble opinion, has ever done more with Thor nor understood the character, their world, and its theological fertility more than Jason Aaron. Jane Foster lifting Mjölnir to become Thor herself was the heart of Aaron’s run. But for that to happen, Thor Odinson had to find himself unable to lift the hammer. This idea – the idea of Thor being unworthy – ties together much of what Aaron did. Its seeds were sown in his very first arc, as Thor faced the brutality of Gorr the God Butcher. Its actualization would lead to Jane lifting Mjölnir and becoming the mightiest Thor and the greatest of all the gods. Its effects would culminate in Thor Odinson’s climactic battle with Malekith the Accursed during the War of the Realms and it would shape the sort of king Thor would become.
I just finished the third episode of The Falcon and the Winter Soldier and I’ve had a question bouncing around in my head since the first episode. It never once occurred to me reading about these characters in comic books but it rises when you place them within the nature and structure of the Marvel Cinematic Universe. The piece will have light plot spoilers for the first three episodes of The Falcon and the Winter Solider so if you’ve not seen any of it and you don’t want anything spoiled, feel free to click away now. I enjoyed your visit! If you don’t mind light spoilers, then by all means read on. You do you :D. With that being said, this piece will consider the question of the emotional and moral weight of trying to carry Captain America’s shield once Steve Rogers himself is gone.
I never would’ve guessed when I started this series it would hit an eighth installment. What can I say? Peter Parker’s dated a lot of women. This series explores the variety of romantic archetypes we find in literature (illustrating the variety of romantic experiences we find in life) using only Spider-Man comics. Michele Gonzales is an interesting chapter in Peter’s romantic history, as his roommate-turned-drunken-hook-up. Yet the one night stand isn’t what’s most unique about Michele in regard to Peter. Of all the women in his life, Michele Gonzales absolutely refuses to ever take any of his shit. Granted, plenty of women have called Peter out, held him accountable, and challenged his negligence. But Michele does so from the beginning, never accepting a single one of Peter’s lame excuses. She knows what she’s worth. She knows what a healthy partner and/or good person should be. She has no time for bullshit or games. And I love her for it!! Peter’s baggage and bad habits kept them from becoming a couple yet, in that, Michele and Peter’s flirtationship reminds us of what we may be missing out on when we fail to own and address our own issues.
Seeking a refuge for healing and peaceful contemplation, Jedi Knight Nomi Sunrider returns to the planet Ambria and the dwelling of Master Thon, her former Jedi Master. Traveling with Sunrider is her beloved 4-year-old daughter Vima and fellow Jedi Knight Sylvar who, like Nomi, seeks the peace and wisdom which Master Thon can offer. The joyful reunion with Master Thon is brief, however, disrupted by the sudden ambush of reptilian creatures swelling with the Dark Side of the Force and controlled by Sith assassins. Commanded to destroy Master Thon and his company, the Sith-controlled creatures surround the Jedi and launch their assault.
One thing worth noting about the horror genre is that it produces images that resist quick mental erasure. From the statuesque model who turns into a decrepit, decaying old woman in the infamous shower scene of The Shining to the bloody womb hanging limply outside the skin of Nola Carveth in The Brood, horror does nothing if not supply us with grotesque images of often monstrous women. Psycho’s Norma Bates, then, is no exception. In Hitchcock’s original film, Psycho, we see Norma not as a mommy so much as a stereotypical mummy; all that is left of her is a skeletal, eyeless frame and some tousled hair pulled back in a bun. We hear her character, and therefore understand her character, only through Marion Crane’s ears as the delusional Norman voices her from afar in the antiquated Victorian house on the hill outside Bates Motel. But Norma is a famous mummy, and a famous mommy, to be sure, one who lingers in the mind of the viewer long after the theater lights go on, and one who has lingered in the cultural imagination now for sixty-one years and counting. Significantly, Norma Bates didn’t get to speak for herself until 2013, when the hit TV show Bates Motel rescued and re-invented her character through Vera Farmiga’s portrayal of her as Norman’s mildly cooky but vivacious and loving mom. As a woman who navigates an excruciating past, a corrupt, drug-infested city, and a psychotic son with surprising sangfroid, Norma Bates in Bates Motel is who I choose to feature this year for the annual Fiction’s Fearless Females blogathon.Continue reading
In celebration of Women’s History Month and for my entry in this year’s Fiction’s Fearless Females series, I am choosing Star Trek’s original fearless female – the one and only Lieutenant Nyota Uhura! This is the third year that Kathleen and I have participated in this series and joining us is Michael of My Comic Relief, Jesse of the newly revived Green Onion, Kalie of Just Dread-full, and Jeff of The Imperial Talker. Please give them a follow to catch their posts (all have great content outside of #FFF), or look out for them here, throughout the month. Continue reading
Oh, it is good to be back in the blogging ring. Specifically, when it comes to collaborating with all the other amazing bloggers. And once more I am grateful to throw my words into the Fiction’s Fearless Females series.
Fiction’s Fearless Females (#FFF) is a cross-blog event that has been going strong for years now. Each year a collection of my favourite friends and bloggers come together to celebrate women in fiction.
Happy International Women’s Day! In celebration of International Women’s Month, I’ve joined with some other bloggers to write pieces spotlighting some of our favorite female characters. Kathleen, of Graphic Novelty2, kicked off the festivities with her brilliant look at Kara Zor-El/Supergirl and, following me, we’ll have Green Onion, of Green Onion Revival Project; Nancy, of Graphic Novelty2; Kalie, of Just Dread-full; and Jeff, of The Imperial Talker. You can find all their posts here but you should check out their super sweet sites, too. Anyhoo (or AnyWHO, as the case may be (stop…don’t reward that (I’m sorry, I’m so sorry (you deserve better)))), this year when I thought of what “fearless” means, my mind turned to Martha Jones. Played by Freema Agyeman, she was the companion of David Tennant’s Tenth Doctor in Series Three of Doctor Who. Martha did a great many things while travelling with the Doctor but, in her faith and her willingness to advocate for her own needs, she models the type of courage which could transform all of our lives if we, too, could be so fearless.
Guess who’s back, back again?! #FFF is back, tell a friend! This time, I’m kicking off our annual series about your favorite fictional ladies of the fearless variety 😉 Joining Nancy and I are Michael of My Comic Relief, Jesse of the newly revived Green Onion, Kalie of Just Dread-full, and Jeff of The Imperial Talker. Please give them a follow to catch their posts (all have great content outside of #FFF), or look out for them here, throughout the month. Continue reading